Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, November 23, 2023

Alcoholic Hazes - a short story


Hurricane Katrina decimated New Orleans in August 2005. My Louisiana parents were living with my wife Marilyn and me in Oklahoma. My mom had just completed her chemotherapy for lymphoma and wanted to return to Louisiana. Marilyn and I drove them to the northwest Louisiana town of Vivian, dropped them at their house, and then continued to New Orleans to see for ourselves the damage incurred by the killer hurricane.


As a Vietnam vet, I had witnessed my share of destruction during my time in Vietnam. I had also driven through downtown Oklahoma City on the day of the infamous Murrah Building bombing in 1995. Neither the War nor the bombing prepared me for the destruction we witnessed in New Orleans.


My first French Quarter Mystery, Big Easy, was completed at the time. Not only was I heartbroken by the devastation suffered by the citizens of New Orleans and south Louisiana, I felt my own sense of loss because I didn't know if New Orleans would ever be the same.


What Marilyn and I learned was that the people of New Orleans and South Louisiana are tough and extremely resilient. The city not only survived, it has prospered. Alcoholic Hazes is one of the stories I wrote during our visit that appeared in my now out-of-print book Murder Etouffee.


Hurricane Katrina took more than 1,800 lives and is considered the costliest, and perhaps the worst natural disaster in U.S. history. The city survived and Marilyn convinced me to rewrite much of Big Easy to reflect Hurricane Katrina.


The female bartender with the Scottish accent in Alcoholic Hazes became the inspiration for the gorgeous redheaded bartender Chrissie who first appeared in City of Spirits, Book 2, and again briefly in Primal Creatures, Book 3. Her collie, the dog behind the bar, was the inspiration for bartender Bertram Picou's collie named Lady.


Even after only a few days following the hurricane, many of the bars in the French Quarter had reopened. Souvenir shops were selling tee shirts commemorating the terrible natural disaster. Even amid the death and destruction, the artists managed a sense of humor, albeit gallows humor. My favorite tee shirt was: FEMA Evacuation Plan - Run Motherfucker run!


The Quarter was almost deserted the night Marilyn and I visited the Irish bar. Almost! 


Alcoholic Hazes


Many great writers including William Faulkner, Tennessee Williams, and John Kennedy Toole lived in New Orleans. One thing that made each of them great was their ability to create amid the cacophony and ado of the Big Easy.

I remember reading a humorous essay by a journalist who had lived there for several years. He’d moved to the city looking for inspiration, fully expecting to pen the next great American novel. Something quite different happened instead.

The semi-tropical city steams in the summer with ninety-degree temperatures and humidity through the roof. Like many cities in southern climes, life’s pace is slow, skidding almost to a halt during summer months. Lunches tend to drag on until two, and workdays often end by three or four, usually with a trip to some dark watering hole.

The journalist finally moved away from New Orleans without completing a single chapter of his proposed novel. He lamented that he’d never sufficiently sobered up, but that he did meet many interesting people and had enjoyed himself immensely. I had a similar experience during a post-Katrina trip to New Orleans.

There are so many things to see and do, and so many wonderful places to eat and drink, that it is difficult to find time to write. Still, artists, writers, and poets continue to fill the city. On our way back to where we were staying at the Sheraton on Canal,  Marilyn and I stopped at a little bar on Decatur Street called Kerry Irish Tavern, and ordered a pint of Guinness. The bartender was a friendly young woman with a Scottish accent, her big dog snoring as he napped behind the hardwood bar.

The dim tavern was almost empty except for a young man talking to the pretty bartender. His name was also Eric and we struck up a conversation. An aspiring writer, he had a manuscript in progress. Gill, a graphic artist, and his friend Tim, a poet with a distinct stutter, soon joined us. Our new group quickly became locked in conversation.

We stayed for another round, and then another, discussing Eric’s book and viewing some of Gill’s art. Realizing that I liked poetry, Tim recited several of his poems to us, never once tripping over his words.

The three men finally left, on their way to another bar. “We’ll be back at midnight for the band."

"A band?"

"Many people never left town. Will you join us?”

Marilyn frowned and folded her arms when I said, “Maybe.” 

After paying our tab, we returned to the hotel to sober up. We never made it back to the Kerry Irish Bar.

I’ve thought about Eric, Gill, and Tim many times. Did they finally finish their masterpieces? I’m betting no and that you’ll find them in some French Quarter bar, locked in alcoholic hazes and still contemplating the art they love to talk about, though they will never complete.


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Born near Black Bayou in the small Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and the ghosts that haunt the night. He now resides in Oklahoma, where he continues to write mysteries and short stories with a Southern flair. He is the author of the French Quarter Mystery Series set in New Orleans, the Paranormal Cowboy Series, and the Oyster Bay Mystery Series. Feel free to explore his works on his Amazon author page. You might also enjoy visiting his Facebook page.

Tuesday, September 29, 2009

Passion and Pathos

In writing, one maxim is true: all successful writers have “steel balls.” For every success story, there are hundreds of rejection slips, mostly impersonal. When I was trying my hand as a short story writer, I lived for the hand-written note from an editor that validated me as a writer. I received one such note that kept me going for almost a decade.

Many writers try their hands at writing short stories because, well, they are short. Short, maybe, but not easy. Short stories, at least in my opinion, are harder to master than writing a novel. You don’t have the luxury of four-hundred pages to develop your plot and characters. A good short story writer can do this in twenty pages. A great short story writer can do it in ten.

I began writing short stories many years ago in an attempt to hone my writing skills. Before I started, I read short stories written by Poe, Guy de Maupassant, Ian Fleming – yes, Ian Fleming – and many others. My all-time favorite short story is Ballad of the Sad Cafe by Carson McCullers. Every great short story elicits passion and pathos, and leaves you thinking about it for days, maybe even years later.

If you are an aficionado like me, a wonderful short story will make you cry and wring you dry. I have written more than sixty short stories and have received at least a few handwritten notes from editors, but none more important to me than the one I received from The New Yorker, the most influential short story market in the world.

My handwritten, unsigned two-sentence note said, “I liked your story and almost took it. Please send more.” The short story was A Talk with Henry, about an old black bartender at a bar near a southern campus. I don’t know if the passion and pathos are there, (I think they are) but the note from The New Yorker editor kept me writing.

Fiction South

Thursday, September 17, 2009

Walking and Writing

Several things have occurred since I began walking regularly in June, all of them beneficial. My blood pressure, blood sugar and heart rate are all lower. Although I haven’t dropped much weight, I feel energized and I am getting more work done lately. My walking has provided another benefit, one I never expected.

I have four writing projects going and recently finished the first draft of my new novel Bones of Skeleton Creek. I had pushed hard to finish the book, not allowing myself to spend much time correcting grammar or spelling. I didn’t even have Word’s grammar and spell checker turned on. When I finished the first draft, I began reading, almost immediately finding passages, paragraphs, and sometimes entire chapters that needed mending.

I try to walk about five kilometers every day, except Thursdays when I have a few beers at the pub with the boys. What I have happily found is that sometime during the course of my walk, ideas for ways to improve my story almost always occur. My writing isn’t the only thing to benefit. I also seem to solve business problems more readily while walking.

For all you writers out there, I have found two writing programs on the web. I am using both programs and I’m happy to report that they are both wonderful. Amazingly, both programs are free. They are yWriter5 and Celtx.

YWriter5 is a novel writing program that will do practically everything except type the book for you. Not quite, but it is very powerful and will assist you in building a story from scratch, or help you make your draft of a novel better.

Celtx is a screenwriting program that will do anything the expensive programs will do. This powerful program even has a storyboard feature. So does yWriter5, by the way. Here are links to Celtx and yWriter5.

I also found a great book for aspiring screenwriters called Save the Cat. The title sounds strange, but the book by screenwriter Blake Snyder is excellent. Get the programs, get the book, and then get to walking and writing.

Louisiana Mystery Writer

Sunday, May 3, 2009

Route 66 Writing Contest


Gondwana Press of Edmond, Oklahoma announces its first annual Route 66 Writing Contest. No entry fee. Complete details at Gondwana's website.


Press Release - Oyster Bay Mambo

 FOR IMMEDIATE RELEASE Oyster Bay Mambo: A Gripping New Chapter in Eric Wilder’s Oyster Bay Mystery Series Edmond, OK – May 31, 2025 – G...