Showing posts with label eric wilder. Show all posts
Showing posts with label eric wilder. Show all posts

Saturday, May 31, 2025

Press Release - Oyster Bay Mambo

 FOR IMMEDIATE RELEASE

Oyster Bay Mambo: A Gripping New Chapter in Eric Wilder’s Oyster Bay Mystery Series

Edmond, OK – May 31, 2025 – Gondwana Press is thrilled to announce the release of Oyster Bay Mambo, the electrifying fifth installment in Eric Wilder’s acclaimed Oyster Bay Mystery Series. This 280-page pulse-pounder (ISBN: 978-1-946576-24-8) delivers an intoxicating blend of suspense, voodoo mysticism, and betrayal that will leave readers on the edge of their seats.


In Oyster Bay Mambo, the tranquil Gulf Coast paradise of Oyster Island is thrown into turmoil when a mysterious voodoo mambo takes residence in an abandoned mansion. Eddie Toledo, owner of the Majestic Hotel and Casino, faces a threat to his empire as he grapples with questions about the enigmatic woman’s identity and her potential claim to the property. Enlisting the help of his law partner, Delta Becht—daughter of the powerful witch Freya Becht from Wilder’s French Quarter Mystery Series—Eddie turns to New Orleans P.I. Wyatt Thomas for answers.

As voodoo drums haunt the night and otherworldly creatures stalk the island, Eddie and Wyatt uncover dark secrets that could unravel everything Eddie has built. In this thrilling crossover adventure, danger and mysticism collide in a tale of survival and betrayal, with mysterious forces lurking just beyond the waves.

“Oyster Bay Mambo weaves a spellbinding narrative that fans of both the Oyster Bay and French Quarter Mystery Series will devour,” said Gary Pittenger of Gondwana Press. “Eric Wilder masterfully blends suspense, supernatural intrigue, and rich Gulf Coast atmosphere in this unforgettable story.”

Oyster Bay Mambo will be available through major retailers and independent bookstores. For more information, review copies, or to arrange an interview with the author, contact Gary Pittenger at wilderinok@yahoo.com.

About the Author

Eric Wilder is the author of the Oyster Bay Mystery Series and the French Quarter Mystery Series, celebrated for their vivid settings, intricate plots, and supernatural flair. A native of Louisiana, Wilder draws on his deep connection to the Gulf Coast to craft stories that captivate and thrill.

About Gondwana Press

Gondwana Press, based in Edmond, Oklahoma, is dedicated to publishing engaging and thought-provoking fiction that transports readers to new worlds. For more details, visit Gondwana Press at 1802 Canyon Park Cir, Ste C, Edmond, OK 73013.

Media Contact:

Gary Pittenger

wilderinok@yahoo.com (mailto:wilderinok@yahoo.com)

Gondwana Press 

Oyster Bay Mambo—where secrets whisper, drums pulse, and survival hangs in the balance.

####

To see all of Eric's books, visit his Amazon Author Page.

Thursday, October 19, 2023

Southern Fried Murder - a short story


I grew up in a small town in northwest Louisiana, about seven miles from the Arkansas and Texas state lines, the area known as the Ark-La-Tex. During the fifties, Louisiana was open to drinking, while you had to be twenty-one in Arkansas and Texas. Because of the drinking age, or lack thereof, honkytonks lined the highway on the Louisiana side near where I lived.

The honkytonks were usually one-room saloons with wooden walls and floors. The clientele was oilfield roughnecks, loggers, and cowboys. As the saying goes, "If you didn't have a weapon on you when you arrived, you'd be issued one at the door." To say the honkytonks were dangerous is an understatement.

My hometown of Vivian had a sheriff and a deputy. The Vivian sheriff was a man named Harmon Idom, a veteran of the Korean War, whom I modeled Sheriff Antley in the story Southern Fried Murder after. Like Antley, Sheriff Idom was a no-nonsense individual who had the monumental task of keeping the peace in a region soaked in alcohol and out-of-control testosterone.

The story is a fictionalized depiction of an actual murder at a pond near the Texas border. Hope you love it. And, oh yes, there really was a Mrs. Bea.



Southern Fried Murder


Morning haze, the last remnant of a two-day rain, hung over the bayou. Summer had returned with a vengeance. Eight in the morning, it was already ninety in the shade. Sheriff Harmon Antley wiped the back of his neck with a blue bandanna.

Beyond ferns and cypress trees fringing, the bayou floated an object, face down and half submerged in dark water—a body. Antley stared at it until a squawk from the radio in the nearby police car broke the morning silence.

"Velma, we got a body out here on Black Bayou, just south of Spillway Road."

Another squawk from the radio and Deputy Sam Tate responded to Velma's unheard question.

"Don't know yet. Can you get Doc Branson out here?"

Satisfied with Velma's answer, Tate signed off. and slammed the door of the black and tan ’56 Pontiac. Before joining Sheriff Antley, he wiped an invisible smudge from the roof-mounted red lights. Antley grinned when he thought about the thick horn-rims goggling the younger man's eyes. They seemed out of place with his starched khakis and matching ten-gallon hat.

"See who it is, Sheriff?"

"Hell no, but she hasn't been in there long. Body's floating too low in the water."

Sam Tate spoke in a sing-song drawl, more reminiscent of east Texas than South Louisiana. To Sheriff Antley, it sounded like a twangy country riff played on a steel guitar. Antley himself had no regional accent. Lost in Korea while serving in the Marines. Lost also was a large chunk of his right ear, taken by a North Korean sniper's bullet. He kept the narrow brim of his Humphrey Bogart hat cocked in that direction.

A distant siren heralded the approach of a black Cadillac ambulance, which slid to a halt beside their car. Doc Branson and his assistant joined them as a flock of white cattle egrets flew by on their way to Jeems Bayou near the Texas border.

"Somebody drown?" Doc Branson asked, shielding his eyes as he leaned over the water.

"You're supposed to tell me," Antley said.

The little doctor with wispy white hair shook off Sheriff Antley's brusque reply.

"Tank, wade out there and pull the corpse to shore."

Six-four and almost two-fifty, Tank Slade's name fit. After school and during summer break, he worked for Doc Branson. His blithe smirk expressed his liking for the job. Not bothering to roll up his pant legs, he waded into shallow water, not even recoiling when he grabbed the turgid body. As he pulled it to shore, a school of silver shiners danced around his feet. He dropped the lifeless body in front of the awaiting trio.

"Recognize her, Harmon?" Doc Branson asked.

"Leola Jones. Harvey Jones's wife," Antley said.

"Harvey Jones, the welder?"

"One in the same."

"Sheriff and me had to cart Leola home more than once," Sam said. "Spent most every night out at the Red Hen."

Doc Branson prodded the body with his toe. "Barfly, huh? Maybe she got drunk, stumbled into the bayou, and drowned."

Sheriff Antley squatted beside the body, probing beneath her long hair with his fingers. "It's five miles to the Red Hen from here. Don't see no car. And there's blood in her hair."

Doc Branson bent down to join him. "Maybe she bumped her head when she fell," he said, using his index finger to push his wire-rims up on the bridge of his nose.

"Don't think so," Antley said. "Unless she hit something real heavy shaped like a half dollar." Sheriff Antley pulled back the dead woman's hair, exposing a circular dent in her skull. "I'm betting you won't find water in her lungs either. Can you check it out?"

"Do the best I can, but with a Republican in the White House, our budget is pretty well cut."

Antley frowned and said, "You have enough money to do one little autopsy."

"Do the best I can," Doc Branson said. Then he added, "At least I voted for Stevenson and Kefauver."

Sheriff Antley ignored his sarcasm and glanced at the sun now high in the sky. Then he tilted his hat back and mopped his neck with the blue bandanna.

"Sam, take a good look around."

Sam patted the big .44 in his side holster, nodded a silent okay, and started in the opposite direction of the bayou.

"What do you expect he'll find, Harmon?"

"Murder weapon, maybe."

At the mention of murder, Tank's piggish eyes grew wider. Folding his big arms, he glanced over his shoulder as if the murderer might still be out there somewhere, lurking behind a tree. Antley brushed his hands and started for the cruiser. Doc Branson and Tank followed.

"Could be one of them bucks from darky town raped and killed her," Tank said.

Sheriff Antley frowned but kept walking.

"Maybe we should run up there tonight with some of the boys and find out," Tank persisted. "I wouldn't mind frying one of them bucks myself."

This time, Sheriff Antley halted. After exchanging a glance with Doc Branson, he grabbed Tank's collar and slammed him against the ambulance. With his acne-scarred face inches from Tank's nose, he riveted his coal-black eyes on the frightened lad. Grizzled forearms pinned Tank to the side of the vehicle.

"Boy, what you saw here is police business. I don't care what you think might have happened, you keep it to yourself. Understand me?"

"Yes," Tank said.

"Yes, what?" Antley said, banging the boy's head against the ambulance's roof.

"Yes, sir, Sheriff Antley."

"That's better," Antley said, releasing his grip, backing away, and brushing his hands again. “If I hear of anything happening to anyone on the other side of the tracks, you’re the first person I’ll come looking for. You got me on that?”

Tank looked at Doc Branson for support but got none. Instead, the old doctor said, "You heard the Sheriff. Now, hustle up that body and pitch it in the back of the ambulance. We got work to do."

A shout over the hill diverted everyone's attention from Tank's red face.

"Sheriff, over here. I found something."

Antley patted Tank's cheek and started toward Sam Tate's shout. "Check her lungs, Doc. At least do that."

Despite disliking his political leanings, Antley knew Doc Branson would do a complete autopsy. He hurried away as he reached the brush line, upsetting a covey of quail. They scattered in a flurry of noise and beating wings. When he crested the hill and came out of the brush, he found Sam beside a red and white ’57 Chevy. It was empty, and both doors open.

"Keys are in the ignition," Sam said.

Broken glass from the smashed windshield littered the car's hood. Something white protruded from the open glove box. Reddish-brown blood clotted the blue front seat covers. Antley grabbed the white object and held it to the light.

"What is it, Sheriff?

"Looks like Leola's girdle. And someone broke the windshield from the inside out."

Oil oozed from the holding tank of a nearby well, burnishing brown loam piled in a berm around it black. The walking beam moved up and down, screeching as it lifted metal rods in and out of the hole. There were also three sets of tire tracks in the dirt.

"Two trucks and a car," Sam said. "One of the trucks had wider tires and dug a deeper rut than the other."

"Carrying a heavy load," Sheriff Antley said.

Three turkey buzzards circled overhead in slow, lazy loops. Harmon Antley watched them as he mopped his forehead with his bandanna. Then he started back down the hill to the cruiser, and Sam Tate followed. Antley said when they reached the car, "Call Velma, Sam. Have her get this place roped off and photographed, and a diver out here to check where we found the body.

The radio squawked as Deputy Tate called Velma. He scratched his big, hooked nose after replacing the receiver in its cradle.

"Taking a break, Sam?" Antley finally said.

"No sir," Sam said. "Where to?"

"The Red Hen."

***

When they reached the blacktop, Sam cranked open the wind wing, gunning the engine to get cool air flowing through the hot car. Ten o'clock and one-oh-one. It made them both wish the Parish had opted for a swamp cooler instead of the fancy radio they provided it with.

The vegetation changed from cypress trees with waves of Spanish moss to pines nudging the road. Sheriff Antley saw a snowy crane as the sleepy bayou disappeared in the rearview mirror. Sam continued along the winding hilly road to Bixley.

Bixley lay nestled in the crook formed by northeast Texas and southwest Arkansas. Three thousand farmers, roughnecks, and businessmen. And retirees. A dozen honkytonks dominated the west side of town, just beyond the city limits. Texans and Arkansans surged across the border on Saturdays, drawn by wild times and no liquor restrictions. Most wore faded jeans, cowboy hats, and pointy-toed shit kickers, though few were real cowboys. In the tri-state region of Arkansas, Louisiana, and Texas, many of the cattle were of the dairy variety. Miles of cotton, making the fields look like snow in July, grew instead of wheat.

Still, the area had more than a passing resemblance to the Old West. Antley and Tate usually ended up on the strip, arresting drunks, breaking up fights, or escorting someone home. The Red Hen was the most popular honkytonk of all. Finding its graveled parking lot vacant except for the owner's white Caddy, they entered the front door.

Three slow-moving overhead fans did little to stir the humid air, stagnant with the stale reek of beer. Their boots echoed like tap dancers as they crossed the faded dance floor to the wall-long bar padded with red vinyl. There, Mrs. Bea Hopkins, the Red Hen's owner, sat alone, a tall, straight scotch in one hand and a half-empty bottle of Chivas in the other. Sam and Sheriff Antley waited for the old lady to acknowledge their presence. When she finally looked up and saw them standing there, she grinned, her false teeth on the bar beside the bottle of Scotch.

"Little early, aren't you, Sheriff? No drunks in here for another eight hours."

"Didn't come for drunks, Mrs. Bea," he said.

"Well, I know you tee-total, so you didn't come for a morning toddy."

"We found Leola Jones floating face down in the bayou this morning. Answers are what we need, Mrs. Bea."

Antley's announcement of Leola Jones's demise didn't faze the old woman. "Hell, Sheriff, I got many answers, but they might not be what you want."

"You knew Leola?"

"Sure, who didn't? Quite a looker."

"How often did she frequent the Hen?"

Mrs. Bea glanced at her watch. "Bout every night. Steady as clockwork."

"Mr. Jones, come with her?"

The old lady shook her head, causing the chicken skin on her neck to wriggle like an earthworm on a hook. "Works for hisself during the day and at the glass factory at night. Only seen him in here once or twice."

"Lately?"

"Last week, maybe."

"They have two kids. Who cares for them when the parents are away?" Antley asked.

"Boy's thirteen. Looks after hisself and his little sister."

Mrs. Bea poured another shot of scotch into her glass. Before it reached her mouth, her scrawny neck began to bend, and her head drooped forward. Then her hand, still clutching the glass, sagged against the bar. For a moment, Sam and Sheriff Antley thought she had passed out. When Sam cleared his throat, the sound echoed against the sizeable open room's bare walls, and Mrs. Bea opened one eye and grinned again.

"Gonna swallow my teeth one of these days doing that."

Sheriff Antley ignored her flippancy and said, "Was Leola seeing anyone special?"

“What do you mean?”

“I think you know what I mean. Did she have a boyfriend?”

"Bobby Hartley."

"He from around here?"

"From up the road in Texas. Been sweet on Leola for a couple of months now."

"Was he in here last night?"

Mrs. Bea didn't have to think about her answer. "He's in here every night."

"Did he leave with Leola?" Antley asked.

"No, but he weren't five minutes behind her after she did."

"What does Bobby Hartley drive?"

"Pretty little red Ford pickup."

Sheriff Antley edged closer to Mrs. Bea and rested his elbows on the bar. "Mrs. Bea, where did they go when they left here? You know, don't you?"

The old lady's green eyes flashed, and her facial skin wrinkled into her patented grin. "Sure. So does everyone else that comes in here. They go parking out on one of them oil well leases. Over by Spillway Road."

Antley pulled away from the bar. "Her husband know?"

"Sure, he knew, but that didn't stop her."

"Ever notice any bruises on her arms or legs? A black eye, maybe?"

Mrs. Bea cackled. "No, but now and then, she'd get some mean dents in her car. That Chevy was her favorite possession. When Harvey got mad, he'd take it out on the car. Would make her real mad, too, and she'd give him the where-with-all. Have him crying like a baby. Forgetting why he'd done it in the first place."

Sheriff Antley pointed toward the door, and Sam nodded. Mrs. Bea's head was lying on the bar in a pool of scotch, and they didn't bother saying goodbye. The radio was squawking when they reached the squad car, and Velma was on the line.

"Sheriff, the divers found something in the bayou."

"Like what?"

"A hammer."

"Claw hammer?"

"Ball peen. No rust, but there's traces of blood on the handle."

"Good work, Velma," Sheriff Antley said, signing off.

Sam cranked down the windows and said, "Gonna look up Bobby Hartley?"

"Nope," Sheriff Antley said. "He didn't do it."

Sam pulled off his hat, combing the strands of damp hair off his forehead. Then he sat there, rubbing the tip of his nose and looking confused.

"Pardon me, Sheriff, but how do you know that?"

"You have a television, don't you, Sam?"

"Sure. Almost a year now."

"Ever watch the Lone Ranger?"

"You bet I do."

Sheriff Antley paused as he scratched his chin. "Did you see the one where the Lone Ranger and Tonto were hot on the trail of three bank robbers?"

"Sure did. They was running from the posse and only had two horses."

"That's the one. How do you think the Lone Ranger knew there were three robbers on the two horses instead of only two?"

"Easy, Sheriff. Tonto got down in the dirt and studied the hoof prints. One set was deeper than the other."

"Exactly. Now let's go see Harvey Jones."

***

Sam was still digesting Sheriff Antley's story as he spun the car's tires in loose gravel. Leola and Harvey lived in a wood-framed house where Harvey ran a welding shop out of his garage. When Sam saw Jones' truck, heavy equipment weighing down its rear end, he understood the story's meaning. On the ramshackle porch, sitting in a swing, was Harvey

Jones and his daughter Lila. Harvey Jr. peered out at them from behind the screen door. Harvey was a big man with thin blond hair bleached almost white by constant exposure to the sun. He was shirtless beneath his faded overalls. Antithetic to the rest of his body, his face was round and cherubic. It made him look about ten. As Sam and Sheriff Antley approached the porch, Harvey put his big face into his hands and began to cry. Lila tossed back her long brown hair, her mother's hair, and joined her father in his tears.

Sam and Sheriff Antley waited until Harvey Jones kissed his daughter's forehead and pulled away from her grasp. Harvey Jr. watched his father get out of the swing, holding his wrists, waiting for Sam to cuff him.

"I'm ready, Sheriff."

"You okay, Harvey?" Sheriff Antley asked.

"My head hurts, but I'm making it." Harvey Jr. had come outside, hugging the pine tree in the front yard.

"We need to see you downtown," Antley said.

"What about the kids?"

"Drive them to your sister's and drop them off. We'll wait for you at the station."

Harvey Jones hugged his daughter, who had joined him in the front yard.

"Thanks, Sheriff," he said.

Without waiting, Sheriff Antley retraced his steps to the squad car. Sam followed, still confused. The Pontiac started on the first crank, and they headed toward town. Halfway there, a knowing grin spread over Sam's face.

"Now I know why he did it—jealous rage, pure and simple. Everyone knew Leola was fooling around and where she went when she left the bar. It wasn't hard for Harvey to find out, even though he didn't believe it at first. He followed Leola and Bobby to the lease road, grabbing his hammer from the truck when he saw the car."

"You're on the right track," Sheriff Antley said. "What else?"

"Velma was drunk but wrestled off her girdle before passing out against the steering wheel. When they finished what they was doing, Bobby left her there and drove home. Harvey saw the girdle in the front seat, and Leola's skirt hiked up to her navel, and must have lost it. That's when he killed her in a jealous rage."

"You got it about half right," Antley said.

Sam took his eyes off the road, giving Sheriff Antley an appraising once-over. He returned his attention to the front of the Pontiac when a rabbit scurried in front of their path.

When he recovered his composure, he said, "If Harvey didn't kill her, who did?"

"Oh, Harvey killed her all right, but if he'd done it on purpose, he wouldn't have knocked out the windshield and busted the dash. He just lost his temper and started swinging the hammer, but it wasn't Leola he intended to take his rage out on. It was her car. My bet is the poor slob nailed her by accident."

Sheriff Antley paused for Sam to digest his hypothesis.

"When Harvey realized he'd killed Leola, he likely bawled like a baby. When he thought of the kids, he carted her body down the hill to the bayou and tossed her in, hoping we'd think she fell in and drowned. After sleeping on it, I guess he'd already decided to go ahead and confess."

After a moment, Sam said, "You think he'll come in alone, Sheriff?"

"He'll come. He may be a killer, but he's not a liar."

As always, the sheriff's words rang true. After scratching the hook of his big nose, Sam gunned the engine and finished the short drive to Bixley in silence.

###





Born near Black Bayou in the little Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and ghosts that haunt the night. He now lives in Oklahoma, where he continues to pen mysteries and short stories with a southern accent. He authored the French Quarter Mystery Series set in New Orleans, the Paranormal Cowboy Series, and the Oyster Bay Mystery Series. Please check it out on his Amazon author page. You might also like checking out his Facebook page.

Wednesday, September 20, 2023

Thief of Souls - chapters


In Thief of Souls, Book 11 of the French Quarter Mystery Series, a British pop singer hires disbarred attorney Wyatt Thomas to protect her from the devil. Scheduled as the Jazz Fest headliner, performer Dita Lika visits New Orleans early to seek the assistance of P.I. and paranormal investigator Wyatt Thomas. To help solve the dilemma, Wyatt enlists the assistance of a voodoo mambo, a defrocked priest, and a Harvard-educated historical researcher. What ensues is a whirlwind of paranormal adventure, fantasy, and mystery. Hope you love it.

 

Chapter 1 

Not every horror story begins with a shocking murder. This one does.

Smoke wafted to the ceiling from the bonfire in the center of the large room. Some of the wood in the fire was almost too green to burn and produced a smell neither Charles nor his son Gillet recognized. Instead of a floral fragrance, it smelled like death.

Black drummers dressed in field pants and no shirts sat in a semicircle around the fire, their drumming drowning out any attempt at conversation. When an explosion in the fire pit filled the room with smoke, a Bokor, a mystic of African descent, appeared behind the growing flames.

The Bokor’s skin was blacker than the fire’s coals, ridges of scar tissue marking every part of his body not covered with voodoo tattoos. He walked through the flames with impunity, touching the gleaming coals with nothing protecting his bare feet. The drumming intensified as the Bokor’s dance became more frenetic. When the drumming abruptly halted, he stopped dancing and stood in the middle of the fire.

The man’s voice was as deep and dark as his skin when he said, “Who is here to purchase a soul?”

Charles Marchand, dressed in the trappings of a wealthy plantation owner, sat cross-legged in front of the fire.

“It is I,” he said.

“Is the soul you wish to purchase for you or someone else?” the Bokor asked.

Dr. John smiled when Marchand said, “For my son, Gillet.”

“Twenty pieces of gold is the price I charge for salvation,” Dr. John said.

Charles Marchand stepped forward, pulling a money bag from his light blue silk jacket. Dr. John waited with a smile and an outstretched offering tray as Marchand began counting gold coins into it. When the final coin clanked into the ceremonial tray the drumming continued until the Bokor raised his hand. When he did, the room grew deathly silent.

“Bring the woman who is about to lose her soul to me,” he said.

Two muscular assistants herded a frightened woman into the room. She had raven hair and dark eyes from which tears rolled down her pretty face. In her last weeks of pregnancy, the young woman struggled against the men gripping her arms. When the Bokor addressed her, she refused to meet his gaze.

“What’s your name, girl?” he asked.

“Afrodita,” she said. “You know what it is.”

“What kind of name is that?” he asked.

When Afrodita didn’t answer, Dr. John backhanded her, snapping back her head. Afrodita tried not to cry, though couldn’t quell her tears as blood flowed from her nose.

“It’s my name,” she said.

“You are beautiful, Afrodita. Almost as beautiful as Aphrodite, the Greek Goddess you received your name from. Your beauty won’t save you. You are about to die, and someone has purchased your soul. Without a soul, your destiny is to burn in hell forever. Do you have anything to say?”

“Don’t take my baby. She is innocent,” Afrodita said.

“Such an act of kindness is not without cost. That cost is twenty pieces of gold. Do you have it?”

Afrodita’s blood and tears washed down her face. When she raised her head, Gillet’s eyes met hers. He glanced at the floor, refusing to continue looking into her pleading eyes.

“I have no money,” she said. “Please, spare my baby.”

“Take her to the fire,” Dr. John said.

“Wait,” someone called. It was Charles Marchand. “I will pay for the baby.”

A smile crossed the Bokor’s scarred face as he watched Marchand count out another twenty pieces of gold into the silver offering tray. The drumming began again when the last coin clanked into the tray.

Charles Marchand sat on the floor beside his son Gillet. The handsome young man refused to gaze into the accusing stare of the young woman named Afrodita. Covering his face with a grotesque African mask, the Bokor chanted as he danced in and out of the fire.

As the drumming grew louder, the Bokor’s dance grew more frenetic. Realizing her fate, Afrodita began to struggle. The two men shoved until they had positioned her directly in front of the Bokor. They released Afrodita’s arms, and then retreated to the recesses of the dark room.

A ceremonial knife appeared in Dr. John’s hand. Grabbing Afrodita by the neck, he stabbed the knife deeply into her belly, blood gushing and covering her dress as he plunged his hands into her womb and yanked out a crying baby. Gillet winced as Dr. John held the bloody newborn by an ankle. The drumming continued as Gillet threw up on the floor.

Holding his mouth, Gillet sprang to his feet and ran out of the room. The Bokor brought the crying baby to Charles Marchand as Afrodita lay dying on the floor.

“You have what you paid for,” Dr.  John said. “Take it.”

Charles Marchand cradled the bloody baby in his arms, his blue silk jacket ruined. With a nod, he walked to the door and disappeared into the darkness. 

Chapter 2 

Dita Lika awoke from a violent nightmare with a scream that pierced the walls. The distressed cry awoke her sister Adelina, and she sat straight up in bed. When she burst through Dita’s bedroom door, she sat beside her on the bed and grasped her sister’s shoulders.

“Sis, you were screaming. Are you okay?” she asked.

“I’m good,” Dita said.

“Is there anything I can do?”

“Just a nightmare. Go back to sleep.”

“It’s morning. I needed to get up anyway.”

“Not me,” Dita said. “I was planning on sleeping until noon.”

“Then go back to sleep. Your nightmare wasn’t real,” Adelina said.

“Maybe not to you.”

“What did you eat before going to sleep?”

“A cheese sandwich,” Dita said.

“That’s your problem. Never eat cheese before bedtime. It always causes nightmares,” Adelina said.

Unlike her sister Adelina’s blond hair and blue eyes, Dita’s hair and eyes were dark. Sharr, Dita’s Illyrian sheepdog puppy’s tail, wagged as he scooted beside her. It was Dita’s first time sleeping in bed in many weeks, and she cuddled the puppy to her breast.

“Miss me, baby?” Dita asked.

“You kidding?” Adelina said. “Sharr has the run of the place.”

“It isn’t fair,” Dita said. “You take care of Sharr; he loves you more than me.”

“Not true,” Adelina said. “He’s been so happy since you finished your tour.”

“I wish I could stay for a while. I love touring, though get so tired of the endless hotels.”

“Hah!” Adelina said. “I should be so lucky to order anything I want at any hour of the day or night.”

“You’d soon be as sick of it as I am,” Dita said, “It’s so lonely on the road. I wish I could take Sharr with me,”

“You have other things to consider when you’re touring,” Adelina said. “You have no time to care for a puppy.”

“And no one there to comfort me when I have nightmares,” Dita said. “I think I’m going crazy.”

“You aren’t crazy, Sis. Everyone has nightmares.”

“Not like mine, they don’t,” Dita said.

“Maybe you should consult a psychiatrist.”

“You just told me I’m not crazy,” Dita said. “Now you’re telling me to see a shrink?”

Adelina squeezed Dita’s hand. “You are so beautiful and sexy. Your fans love you.”

“Don’t change the subject, and stop patronizing me,” Dita said. “I’m nothing more than the flavor of the week. When someone else hits the scene, I’ll be little more than a fading memory.”

“Nonsense. You’re a superstar. The most talented musical performer to hit the stage in decades.”

Dita hugged Adelina. “You’re my sister. I wish others saw me the same as you do.”

“Though I may be your sister, I also know it doesn’t take a rocket scientist to see how talented you are. You’re a star; most performers never experience a moment of stardom.”

Dita hugged Adelina and said, “Everyone tells me how beautiful and talented I am when I’m on tour. I must work at it to keep all the false compliments from going to my head. You ground me.”

“You’re as beautiful as you are talented,” Adelina said. “The truth is not a compliment.”

“I’m only your older sister,” Dita said. “You’re giving me the big head.”

“Because you know what I say is true. It isn’t wrong to love the attention and adoration. Now, tell me more about your nightmare.”

Dita pulled off her nightgown, tossing it to the floor.

“I’m awake now, my nightmare a dying memory. Let’s go skinny dipping. I’ll feel better after a swim.”

Adelina’s grin was mischievous as she stripped off her clothes and followed Dita and Sharr out the door. Dita lived in a palatial West Hampstead estate in north London. She’d paid eight million pounds for the house when her first song hit the charts and had begun putting her imprint on the property ever since.

When Dita dived into the courtyard pool, Sharr followed her. Water splashed when Adelina dive-bombed them. They frolicked in the water until all three were exhausted and struggled to climb out of the pool. They didn’t bother putting on clothes as they lay on plush towels.

“You still haven’t told me about your nightmare,” Adelina said.

Adelina shook her head when Dita asked, “Do you believe in Satan?”

“I try not to think about such things.”

“Have you ever had a dream about the devil?” Dita asked.

“I don’t eat cheese before I sleep,” Adelina said.

“That’s not my problem,” Dita said. “My nightmare has nothing to do with what I eat before I sleep. It’s recurrent and starting to scare me.”

Dita nodded when Adelina said, “Tell me about it.”

There wasn’t a cloud in the sky. A car horn down the street honked as Dita stretched out on the plush bath towel and put her arms behind her head.

“It’s always the same,” she said. “I’m in a strange place I don’t recognize. There’s a young woman in the scene so pregnant she looks as if she’s ready to pop.”

“Then the woman in your nightmare can’t be you. You don’t even have a boyfriend,” Adelina said.

“Don’t be critical. Neither do you.”

“Just saying.”

“And, I’ve never been to the place in my nightmare. It seems so strange, exotic, and unknown to me.”

“Paint me a picture,” Adelina said.

“A room so dark and humid, it seems like a dungeon somewhere in the tropics. Men dripping with sweat, beating drums around a fire. It’s like a pagan ceremony, except all the men in the circle are black.”

“Africa?”

“America, I think, though not in this century,” Dita said. “We’re in a large room with an earthen floor. Maybe the basement of a huge house.”

“Who else is there?” Adelina asked.

“Two white men dressed in silk suits that look like something from a French history book. I believe it’s a wealthy man and his son who looks as if he’d like to be elsewhere.”

Adelina smiled and said, “Is he handsome?”

“Very. There is also a witch doctor named Dr. John. He’s presiding over a ceremony that always begins with the beating of drums and him dancing on burning coals.”

“Witch doctor? How do you know he’s a witch doctor?”

“Because of his scars, tattoos, and knowing smile. Someone in the room called him Bokor. I looked it up. It means a voodoo witch for hire who serves the loa with both hands.”

“What does that mean?” Adelina asked.

“A priest who practices good and evil. Bokors are Haitian mystics, though I don’t believe Haiti is where my dream occurs.”

“Where, then?”

“New Orleans.”

“You’ve never been to New Orleans. How would you recognize it?”

“Don’t know,” Dita said. She grinned when Sharr licked her face. “You smell like a wet dog.”

“So, how are you a part of this nightmare?” Adelina asked.

“An observer. The two white men are in the audience, watching though not participating in the ceremony.”

“You keep calling them white men. You’re white.”

“Maybe I wasn’t during another lifetime,” Dita said.

“Are you making this up as we go along?” Adelina asked.

“No way. It’s a different place and time. The men in the room treat the woman like a slave,” Dita said. ‘I had the feeling that perhaps I was a slave.”

“It must have been another time. There haven’t been enslaved people in New Orleans or anywhere else in centuries,” Adelina said.

“That’s what makes the nightmare so strange. It seems so real, yet it’s taking place somewhere I’ve never visited and during a time long before I was born.”

“So, what happened?”

“One of the white men had paid for the woman’s soul. Dr. John was preparing to kill her.”

“Get out of here,” Adelina said.

“It’s true. The woman was resigned to her imminent death but begged the Bokor not to take her baby. He informed her it would cost another twenty pieces of gold.”

Adelina’s hand went to her mouth. “The voodoo man was going to murder the woman and her baby?”

“Exactly. The woman didn’t have the money and was crying her eyes out. The older white man shelled out more gold to save the baby.”

“And then?”

“Dr. John cut the baby from the woman’s womb and gave it to the man who’d given him the gold.”

Adelina’s hand again went to her mouth. “Oh my God!” she said. “No wonder you were screaming. You aren’t pregnant, are you?’

Dita shook her head. “Everyone in the troupe is wary of losing their jobs and half afraid to approach me. I can’t even remember the last time I had sex.”

“Maybe that’s your problem,” Adelina said. “Perhaps you need someone to screw your brains out.”

“Maybe so. Let’s go to Soho and find a walkup,” Dita said.

“Kiss my ass,” Adelina said. “There are no male prostitutes in a walkup.”

“How do you know?” Dita said. “Have you ever visited one?”

“Women don’t have to pay for sex. Especially not you, the most popular female entertainer in the world.”

“You’re full of shit. If that’s true, then why am I so horny?”

“All you need is a few weeks off from the tour. Find a man and stay in bed for a few days.”

“Not a bad idea. What’s my next gig?” Dita asked.

“Jazz Fest in New Orleans. You’re headlining.”

“What’s Jazz Fest?” Dita asked.

“Don’t be a thicko. Jazz Fest is an important music event. Every musical group wants to perform there.”

“You have to be kidding. I can’t go to New Orleans.”

“Of course, you can,” Adelina asked.

“You don’t visit the place where your nightmares occur.”

“Why not?” Adelina said. “Maybe New Orleans holds the answers you seek.”

“I don’t think so.” Dita grabbed her cell phone and dialed her agent. “Raoul, I need to cancel my next engagement.”

“Cancel Jazz Fest? It’s the most prestigious event on your tour. Are you crazy?”

“I’ve never even heard of it,” Dita said. “Who else has played the event?”

“The question you should ask is, who hasn’t played it? The answer is every important musical act,” Raoul said.

“I have reasons for not going to New Orleans,” Dita said.

“Sounds like a personal problem.”

“Very personal. Going there frightens me to death.”

“Doesn’t matter what you want. You’re committed, and it’s too late to back out. Don’t argue with me on this.”

Dita was still talking into the phone when she realized Raoul had hung up.

“What did he say?” Adelina asked.

“He gave me no choice but to attend.”

“The Jazz Fest is in New Orleans, the very city where you are having your insane nightmare,” Adelina said. “Go there and find out what the problem is.”

“What if I lose my soul?”

“Now, what are you talking about?” Adelina said.

“I’m frightened,” Dita said.

“You’re fantasizing about your nightmare, and it’s been bothering you. Check it out while you’re at Jazz Fest.”

“I won’t have time to research my nightmare,” Dita said. “I’ll have a show to perform.”

“You’ll love the place. New Orleans is the birthplace of jazz,” Adelina said. “It’s an exotic city, unlike any other place. As you said, maybe you lived there in another life.”

“Now you’re the one doing the fantasizing,” Dita said.

“I read the brochure Raoul sent you. It seems reasonable your nightmare takes place in New Orleans. It’s just a nightmare. Why are you afraid to go there?”

Dita didn’t answer Adelina’s question. “When does Jazz Fest start?”

“A week from today,” Adelina said.

“Get me a ticket. I’m going tomorrow.”

“You can’t do that. You have to travel with your band,” Adelina said.

“Without me, there is no band,” Dita said. “I’ve made up my mind. Get me a ticket.”  

Chapter 3

New Orleans winters are generally warm, though the last one had seen temperatures below freezing twice. Tornadoes had blown through the old city, taking several roofs and a few lives. It made me wonder how many tornadoes New Orleans had survived in its more than three-hundred years of existence.

I’d gained a few extra pounds over the winter, a warm spring breeze begging me to get outdoors, exercise, and lose weight. Rain clouds raced over the French Quarter when I finally laced my jogging shoes and took the trolley to City Park.

City Park is an oasis of nature not far from the French Quarter. It’s bigger than New York’s Central Park and boasts the most extensive collection of live oak trees worldwide, some over six-hundred years old. I’d lost count of the times I’d jogged through the park. Its lagoons, wildlife, gardens, and beauty still amazed me every time I visited.

My run through the park invigorated me, and I’d worked up quite a sweat. Too sweaty to ride the trolley, I decided to continue on foot back to Bertram’s. My decision proved ill-advised when thunder sounded overhead, and the cloudy skies morphed into a spring rainstorm, my jogging shorts and tee shirt drenched long before I saw the neon lights of the French Quarter.

Bertram Picou, my landlord, and close friend, owned the most eclectic bar in the Quarter. His customers and tourists had gone home or to their hotels because of the rain. He caught my attention when I pushed through the door, pointing his Gallic nose at a woman sitting alone at the bar.

The attractive young woman was humming to herself as she filed her fingernails. She grinned and held her hand toward me as I stood dripping on Bertram’s old oiled-wood floor.

“Are you Wyatt Thomas?” she asked.

“Yes. I got caught in the rain during my jog.”

I noticed her British accent when she said, “I’m Dita. Can we talk?”

I pointed to the creaky staircase leading to my apartment. “I live upstairs. If you don’t mind waiting a bit longer, I’ll shower and change out of these damp clothes.”

“Take your time,” she said. “Bertram and I are having a lovely conversation.”

 Dita’s cut-off jeans were too short, and her cowboy boots and thigh-length red, white, and blue leggings were too brash. Her black cowboy hat paired with Lucy-in-the-Sky-With-Diamonds sunglasses was anything but understated. I turned around when Bertram called my name.

“I fed that mangy cat of yours. Her yowling was running off my customers.”

“Sure they didn’t leave because of the rain?”  I asked.

“Don’t be an ingrate,” he said.

“Thanks,” I said.

Bertram had indeed fed my cat Kisses, and I found her asleep on my bed.

She didn’t open her eyes when I said, “Too wet to go tomcatting?”

I hung my sticky jogging shorts and tee shirt on the back of a chair, waited for the water to get hot, and then luxuriated in the steamy heat. Not more than fifteen minutes had passed when I returned to the bar dressed in khaki pants, sandals, and a blue Hawaiian shirt that would have made Elvis proud.

Dita smiled when she said, “Feeling better?”

“Think I’m going to live. Sorry for taking so long,” I said. “The hot water felt so good I had trouble leaving it. “What can I do for you, Dita?”

“I have a problem. Your name came up as someone who might help me.”

“What kind of problem,” I said.

“Something of a psychic nature. My people tell me you’re more than a private investigator,” Dita said.

“Oh?”

“They say you know about the paranormal, and voodoo in particular,” she said.

“Me and everyone else in New Orleans. Did Bertram bring you a drink?”

“I don’t drink when I’m discussing business.”

Bertram pushed a glass of lemonade across the bar toward me.

“Me either,” I said. “At least not alcoholic beverages. My coonass friend makes wonderful lemonade.”

Bertram’s elbows rested on the bar as he listened to every word we said.

Dita smiled when he said, “I brew a mean cup of Earl Grey.”

“You sell tea in a bar?” Dita asked.

“Whatever floats your boat,” Bertram said. “Costs the same as a lime mojito.”

“How much does a lime mojito cost?” Dita asked.

“Ten bucks,” Bertram said.

“I can get a lime mojito at any pub in London for seven pounds.”

“It’s a long way to London from here, pretty lady. Make you a deal. Buy one of my lime mojitos, and I’ll throw in a crumpet for free.”

“Deal,” she said.

Bertram grinned as he mixed Dita’s mojito and presented her with the drink and a fresh pastry.

“This isn’t a crumpet,” she said.

“It’s a beignet,” he said. “Try it.”

Dita took a bite of the succulent pastry and then another. “This is good,” she said. “What is it?”

“A beignet from down the street,” Bertram said.

“You didn’t make it yourself?”

“I’m a man of many talents. Making beignets isn’t one of them. Try the mojito,” he said.

Dita took a sip and said, “Very good. You could find work at any pub in London.”

“They couldn’t afford me,” Bertram said. “I’ll get you another beignet.”

“No,” she said. “I have to watch my figure.”

“You kidding? You got better legs than a movie star.”

“I’d gain weight in a heartbeat if I didn’t work out daily,” Dita said.

I interrupted their bantering and said, “Tell me about your problem.”

“It has to do with voodoo,” she said.

“I’m listening.”

“You’re not put off talking about voodoo?”

“Voodoo’s a common topic around the French Quarter,” I said.

Thunder shook the roof, rattling the light fixtures.

“Is it always this stormy?” she asked.

“Pretty much,” I said. “At least this time of year. Hope it doesn’t scare you.”

“Few things frighten me,” Dita said. “My nightmare that recurs practically every night is disturbing, even to me.”

“Please tell me about it,” I said.

“It concerns a voodoo man named Dr. John. Did such a person ever exist in New Orleans?”

“Marie Laveau is the most famous female voodoo person from the past, Dr. John, the most notorious male voodoo practitioner,” I said.

“How long ago?” Dita asked.

1840s,” I said. “Your nightmare involves Dr. John?”

“The devil and Doctor John are villains in my nightmare. It’s always the same. A voodoo ceremony in an empty room with a dirt floor. Shirtless men are beating drums, their driving rhythm the percussive music for Dr. John’s walk across a bed of hot coals.”

When she paused, I said, “Go on.”

“Dr. John’s face and body are covered with scar tissue. It appears symbolic and looks like someone administered the cuts with a scalpel or sharp knife. He looked quite frightening in the light of the fire.”

“You said you’re in a dark room,” I said.

Dita nodded and said, “Like the basement of a large house.”

She shook her head when I asked, “Where does the smoke go?”

We both turned our attention to Bertram and said, “It’s a nightmare. It don’t have to make sense.”

Bertram didn’t reply when I said, “Dita feels her nightmare is real. She wouldn’t have traveled from London to tell us about it if she didn’t. Am I right about that?”

Dita nodded. “I don’t know where the smoke went. There must be a plausible explanation because everything seems so real.”

“Then tell me more,” I said.

“Dr. John addresses a woman brought from somewhere as Afrodita.”

“Your name,” I said. “Are you the woman in the dream?”

Dita shook her head. “She is about my age, though someone I don’t recognize. She is also pregnant. Dr. John tells the woman someone has purchased her soul and he will kill her as a sacrifice to Satan.”

“Damn!” Bertram said. “Your story’s scary. I need a lemon drop.”

“What’s a lemon drop?” Dita asked.

“Vodka, lemon juice, and sugar,” Bertram said.

Thunder shook the rafters again as Bertram grabbed three shot glasses from beneath the bar, filling mine with lemonade and the others with the lemon drop concoction he’d mixed in a blender.

We clicked glasses, drained them, and said, “Bottoms up.”

“Good?” Bertram asked when she licked her lips.

“Tastes like lemon drop candy,” she said.

“Just the way it’s supposed to taste,” Bertram said. “Sorry I interrupted you.”

“Finish your story,” I said.

“Where was I?” Dita said.

“Dr. John told the pregnant woman named Afrodita that he was about to kill her,” I said.

“An older white man responded when Dr. John asked who was paying for the soul.”

“Did you recognize him?” I asked. Dita shook her head. “Then describe him for me.”

Dita nodded. “A handsome man. Early fifties. Dark hair and eyes. His clothes were regal. Blue velvet coat, hand-sewn vest, and brown silk pants custom made and from a different century. He gave Dr. John twenty pieces of gold.”

“There must have been a reason he was buying a soul,” I said.

“For his son, Gillet. His father called him by his first name,” Dita said.

“That’s a place to start,” I said. “What did Gillet look like?”

“Long brown hair. Delicate facial features. He was crying and couldn’t look the woman in the eye when she begged Dr. John not to kill her baby. The voodoo man told her it would cost another twenty pieces of gold.”

“Heartless bastard,” Bertram said.

The lights flickered, the storm raging outside. An unexpected gust of wind rustled the front door.

“A ghost?” Dita asked.

“More than likely,” I said. “Lots of ghosts in the French Quarter.”

“Are you trying to frighten me?” Dita said.

“There are ghosts in this bar,” Bertram said.

“Get out of here!” Dita said.

“I’ve seen them,” Bertram said. “Some of them are famous.”

“Like who, for instance?”

“Louis Armstrong. He came around one morning early,” Bertram said. “Sang and played his horn for me until sunrise.”

“You’re full of it,” Dita said.

“If I’m lying, I’m dying,” he said.

Dita glanced at me and said, “Have you ever seen a ghost?”

“More than you can imagine,” I said.

“You’re both full of it,” Dita said. “Don’t be stingy with your lemon drops.”

Bertram poured more shots. “I’ll fix another batch if you help me drink it.”

Dita fumbled in her Gucci bag for a fifty-pound note and handed it to Bertram.

“Why not?” she said.

Bertram grinned and stashed the note in his shirt pocket.

“You were telling us about Gillet,” I said.

“After Dr. John collected the twenty pieces of gold, he cut the baby from Afrodita’s womb. Gillet grabbed his mouth and ran out of the room. His father ruined his beautiful clothes when he took the bloody baby in his arms.”

“Damn!” Bertram said.

“Afrodita didn’t scream when Dr. John took the baby. I believe she had a smile on her face as she lay on the floor bleeding to death.”

“Double damn!” Bertram said.

“What exactly do you need me to do?” I asked. “Nightmares can’t kill you.”

“Are you quite sure about that?” she said. “The answer to your question is I haven’t a clue as to what to do,” she said.

Dita flinched when thunder rattled the rafters. She was young, probably no older than in her early twenties. Her accent and outfit labeled her as worldly. Her unsure questions informed me she was grasping at straws. She raised her psychedelic sunglasses to let me see her face. When I didn’t react, she smiled.

“You have no idea who I am, do you?”

“You’re Dita Lika,” I said.

“Oh, my God! I underestimated you. Have you caught one of my shows?”

“I’m an information junkie. I soak it up like a sponge. I saw your picture in the Picayune. You’re headlining this year’s Jazz Fest.”

It took Dita a moment to say, “Amazing. You’ve never seen me perform?”

“I like music, though I rarely listen to it.”

“You live in New Orleans and aren’t a music maven?”

“I don’t go to movies, either,” I said.

“You are strange.”

“I hear that,” Bertram said.

“You know who I am, don’t you, Bertram?”

“You got the best set of legs I ever seen,” Bertram said. “I’d know if I ever saw you before now.”

Dita pulled out her cell phone, calling up a music video on YouTube. Bertram and I drew close to the phone as the video began to play. The primary performer was Dita Lika. After watching the video, I realized it didn’t take a musical genius to see she was a generational talent.

“Damn, girl!” Bertram said. “You dance as good as you sing. No wonder you got class-A legs.”

When Dita put away her phone with a smug smile, I said, “I’m available to help.”

“I’ve been here before,” she said.

“At Bertram’s?” I said.

“New Orleans. Jazz Fest begins next week. I want you to stay close to me.”

“Jazz Fest has lots of security. You don’t need me. You’ll never be in danger.”

Before Dita could continue, thunder shook the rafters again, and the electricity went out. From the darkness outside the front door, Bertram’s wasn’t the only French Quarter establishment affected.

“Does this happen often?” Dita asked.

Bertram lit a candle and placed it on the bar between us.

“Enough so that I keep candles and storm lanterns under the counter,” Bertram said. “Hope you don’t mind drinking by candlelight?”

Dita was grinning. “Love it,” she said. “The lights should go out more often.”

Bertram grabbed his cell phone. “I’ll find out what’s going on.”

After hanging up, he poured us another shot.

“What happened?” I asked.

“An electrical fire at the Roosevelt,” he said.

“Bad?” I asked.

“The lights are out, and the hotel is full of smoke,” Bertram said.

“Damn!” Dita said. “I was booked at the Roosevelt.”

“Not tonight,” Bertram said.

 “It’s still early, and we can worry about your hotel accommodations when they restore the electricity,” I said.

Realizing the blender was empty, Bertram poured lemon juice, vodka, and sugar into his blender.

“No electricity,” I said. “Remember?”

He grabbed a wooden spoon from beneath the bar and said, “Right. I’ll have to fix the next batch like my mama used to do.”

“I better call a cab and find a room,” Dita said when they’d finished drinking the last batch of lemon drop shots.

“I live in a suite of rooms behind the bar,” Bertram said. “There’s an extra bedroom with its own bathroom. You’re welcome to stay there for the night.”

Dita glanced at me and said, “Is Bertram trustworthy?”

“You don’t run a bar in the French Quarter for as long as Bertram has without being trustworthy. If you can trust anyone, it’s him.”

“I’ll take you up on your offer,” she said. “Jet lag has caught up to me. I need some sleep and feel good about the two of you.”

Dita grinned when Bertram said, “Except for the whipping part, we’ll treat you just like your mama.”



###



Born near Black Bayou in the little Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and ghosts that haunt the night. He now lives in Oklahoma, where he continues to pen mysteries and short stories with a southern accent. He authored the French Quarter Mystery Series set in New Orleans, the Paranormal Cowboy Series, and the Oyster Bay Mystery Series. Please check it out on his Amazon author page. You might also like checking out his Facebook page.





Press Release - Oyster Bay Mambo

 FOR IMMEDIATE RELEASE Oyster Bay Mambo: A Gripping New Chapter in Eric Wilder’s Oyster Bay Mystery Series Edmond, OK – May 31, 2025 – G...