Showing posts with label French Quarter Mystery Series. Show all posts
Showing posts with label French Quarter Mystery Series. Show all posts

Friday, October 27, 2023

Cruel Woman Blues - a short story


I wrote Cruel Woman Blues before Hurricane Katrina. Carla Manetti was Wyatt Thomas' girlfriend at the time. Wyatt doesn't own a car. In the story, Wyatt and Carla have taken her new Mustang on the ferry across the Mississippi River from New Orleans to Algiers. Trouble seems to haunt Wyatt, and tonight is no exception.

Cruel Woman Blues

The most incredible free ride in America sits on the banks of the Mississippi River, not far from the heart of the Big Easy—the Canal Street Ferry. Accessible for pedestrians, one dollar round trip in your car is a fine example of Louisiana politics. Carla Manetti's old Plymouth Duster finally died and went to Car Heaven up in La Place. We were on an evening test drive to Algiers Point in her new Mustang convertible. It included a side trip to the Jazz Palace, a local hot spot.

Behind us, the river was dark; the New Orleans skyline was lit with neon. It was chilly in late December, and Carla's sweater felt soft and warm. With only flickering lights across the river illuminating the upper deck, it was hard to know where her sweater began and her dark hair ended. It didn't seem to matter as she stared at the top of the International Trade Mart.

"What a view," she said. "Lights and river sounds."

"No place like it in the world."

"Wyatt, you just like it 'cause it's free."

"It's not free. I paid a dollar, didn't I?"

"I paid the dollar," Carla said.

Despite her chiding, Carla had a grand smile. When I put my arms around her, she leaned against me, resting her shoulders on my chest. "You know what I like about the ferry ride?"

"Being with me?"

"I like the river,” she said, ignoring me. “It's like a giant, powerful being. I feel more alive out here than any place in the New Orleans."

A passing tug's whistle signaled proximity to the docking point, and we hurried downstairs to the lower deck. After rolling off the ramp, we parked the car at a dockside meter, needing it only for the return trip to the city. The ferry had made its last run for the night. Everyone knows about Jackson Square and the Cabildo, but there are other places in and around the Big Easy that tourists rarely see. The Jazz Palace is one such place, and Jazz isn't the only language spoken there. Musical tastes, ranging from hip-hop to zydeco, are eclectic in New Orleans. Tonight, it celebrated the blues, one of the premier blues men still alive and performing.

His name is Snakebite Thompson. Mama Tujugue, the owner of the Jazz Palace, had scheduled him for a single performance—one I had waited twenty years to see. Anticipation shadowed our steps as we tread the waterfront boardwalk to the Palace, where dozens of blues fans had already gathered.

They crowded into the converted warehouse as we arrived, hoping to secure a table close to the stage. Mama Tujugue met us at the door and let us in without charging admission. Her delicate features highlighted the best aspects of all the many races contributing to her origins. She topped six feet in her stocking feet. Her very existence was an anomaly of life in the old South, specifically New Orleans.

Old New Orleans hierarchy embraced gradations in race, and people of mixed blood often occupied places of particular prominence. They even had names for these gradations. A mulatto is the offspring of one black and one white parent, a quadroon, one white, and one mulatto. There are dozens of distinctions—sacatron, octoroon, griffe, and marabon, to name just a few—all specifically describing blood mixtures.

Mama Tujugue was simply a beautiful New Orleans businesswoman—show business. She did not mind accenting her heritage to play to the crowd. Tonight, her bright yellow peasant dress ballooned from waist to ankles. She could quickly have passed for a famous New Orleans woman circa 1750 in the matching turban that crowned her precisely coifed head. She led us to a table near the stage where a local group was murdering their rendition of Basin Street Blues. Carla ordered an Abita, a local amber beer brewed across the lake in Abita Springs. I made do with water.

The Palace was a converted warehouse, cheaply renovated to highlight music and not architecture. Jazz posters and Mardi Gras banners draped from its exposed rafters and provided the only decoration. From the smiles I could see, no one seemed to mind the seediness. A half dozen harried waiters and servers hustled to serve those gathered for the occasion.

Shortly after midnight, Snakebite's band took the stage, and the crowd tempo quickly turned from raucous to frenetic. The band launched into a finger and lip-limbering number that ended with a drum solo that brought down the house. As the audience applauded, Mama Tujugue sent over more Abita for Carla and a pitcher of lemonade for me. When overhead lighting dimmed, the room became ghostly silent.

Amid suspense-heightening darkness, the drummer rolled out an expectant beat, the bass man joining with a three-note riff. Then, from somewhere on stage, vibrato strains from a throaty guitar began to immerse the room in electric sound, causing a wave of applause to swell through the audience. The spotlight beam, narrowed to a circle of blue, slowly began to enlarge, focusing on a point near the center stage.

Snakebite Thompson's face appeared behind a gooseneck microphone as the music grew louder, along with increasing applause. His closed eyes and pockmarked cheeks combined in a contorted grimace, exposing the depth and pain of some unknown despair. Original black enamel, chipped but unretouched, coated the old Fender strapped across his shoulder.

We watched, trapped in a timeless hypnotic trance, as Snakebite launched into his signature song, Cruel Woman Blues, his scratchy voice dueling with a pulsating melody produced by his throaty electric guitar. More applause erupted from the audience.

What a stylist. He was more than I expected, far exceeding his recorded performances on cheap vinyl. Snakebite Thompson was confirmed, his effect meaningful, but what occurred next sent everyone in the house into communal shock. A gunshot, fired from somewhere in the darkness, resonated through the warehouse, and Snakebite's resultant scowl went without notice. Until he dropped the guitar and clutched his chest.

The single gunshot awoke the audience from its trance, and no one waited around for the inevitable second shot. Rising in unison, they piled through the door with every band member except Carla and me. Thinking better of charging into the line of fire, I wrestled her to the floor and under our table.

Wyatt, was that gunfire?"

Not answering her question, I rushed to center stage, where Snakebite lay writhing on the floor, clutching his chest, blood pluming from beneath his hand. Anticipating another gunshot, I dragged him behind an electric speaker. The second shot never came. Wailing sirens, echoing from across the river, moved toward us. When they arrived, the old warehouse was almost empty. It didn't stop a dozen cops from bursting through the doors, pistols drawn. Rushing to the stage, they grabbed my collar, threw me facedown against the floor, and crammed a shoe into the small of my back. One big cop almost yanked my arms from their sockets as he cuffed me. Taking a deep breath, I tried to relax and ignore the cocked .38 pointed at my head.

"He didn't do it," Carla said, lunging out from under the table. "He only tried to help. The person who did it is up there."

All eyes followed Carla's finger as she pointed toward the balcony. I even managed to wriggle around and look. That’s when I saw the woman, a smoking pistol grasped firmly in her hand. Jimmy Don O'Rear was the burly police detective investigating the shooting. He was young, a full thatch of red hair covering his big head. He wasn’t smiling, and he had the look of a man who rarely did. He ordered his men to un-cuff me, although I could tell they did not like his orders. Still, they did have a prime suspect holding a smoking pistol.

Although situated across the river, Algiers is a precinct of New Orleans. A sedate precinct compared with the others. Jimmy Don O'Rear seemed like a good cop with something to prove. I wasn't sure exactly what. Maybe he was as tough as his brothers from across the river. It gave me cause to wonder as Carla and I watched O'Rear's men cordon the crime scene with yellow tape.

Snakebite cursed a blue streak when paramedics loaded him on an ambulance bound for Charity Hospital across the river. At least he was still alive. Now, everyone's attention was focused on the woman on the balcony. Jimmy Don's men quickly had her in cuffs. Carla and I followed him up the stairs, along with Mama Tujugue, upset and increasingly unable to contain her growing frenzy.

"How long will this take?" she finally demanded.

"Till we're done," Jimmy Don said.

The detective's accent was a strange blend of North Louisiana redneck and Irish Channel patois. It didn’t matter because he was all business, and now the only business worrying Mama Tujugue was her own.

"Well, you better get done mighty fast," she countered. "Tomorrow's Friday. My biggest day. I got a zydeco band coming in from Breaux Bridge."

Mama Tujugue's announcement failed to impress Jimmy Don. "Save it for the Padre. We may finish up Monday."

"My banker will own this place by Monday."

Jimmy Don halted, returned Mama's harsh stare, and held up his hand. "Get off my case, lady, and let me question the suspect."

At the mention of the woman in cuffs, Mama Tujugue looked at her for the first time. Appearing to do a double take, her mouth gaped, and her hands dropped to her sides.

"Geneva!"

"You know this woman?" Jimmy Don asked.

"Geneva Thompson, I've known her all my life."

"Thompson? Is she any relation to the victim?"

"His wife," Mama Tujugue said.

Jimmy Don exchanged a knowing glance with his second-in-command, a blue-coat sergeant with snowy white hair beneath his police cap.

"Sarge, it looks like we have a motive," he said.

"Geneva wouldn't hurt a fly," Mama Tujugue said.

"Well, apparently, she did."

O'Rear broke away from Mama Tujugue's stare, turning his attention to Geneva Thompson. "Anything you want to tell us?"

Geneva Thompson was an attractive middle-aged woman, shorter and darker than Mama Tujugue, although about the same age. Mama put her arms around her, and they both dissolved into tears. Jimmy Don waited until they regained their composure and cleared his throat to remind Geneva of his question.

"I did it. I shot my husband," she said.

"Now, wait just a minute," Mama Tujugue said. "I didn't hear anyone advise Geneva of her rights." Mama cast Jimmy Don and the old sergeant a look that could kill before continuing her angry tirade. "I'm not a lawyer, but I suggest you do it right now and forget what Geneva said." Then, with a harsh glare at Geneva, she added, "Now, lady, keep your mouth shut. Not another word, you hear?"

Through her tears, Geneva whispered, "I did it. I did it."

That's all Jimmy Don and the sergeant needed to hear. Nudging her toward the stairs, they prepared to haul her away in the patrol car.

"Wait a minute, Detective," I said. "This woman didn't shoot Snakebite."

All eyes were suddenly on me.

"Who are you?" Jimmy Don said, squaring his hips and staring down his Irish Channel nose at me.

"Wyatt Thomas. This woman is innocent. If you had eyes, you'd see it yourself."

"Look here, wise guy. I got a suspect with a motive and a smoking gun. What do you know about anything?"

"He's a former trial attorney and investigator from across the river," Carla said, elbowing her way into the fray. "He's forgotten more about crime than you'll ever know."

Jimmy Don eyeballed Carla, then looked at me and sneered. "Lawyers, especially ex-lawyers, turn my stomach. If you don't have something concrete to add to this investigation, get out of my way."

"This lady didn't do the shooting," I said. "A government sharp-shooter couldn't have made that shot from here. It came from the right side of the stage."

Jimmy Don glanced down at the fallen microphone, a hundred feet away, and considered my remark. "How the hell would you know where it came from?"

Carla didn’t give me a chance to answer. Reaching beneath my jacket, she yanked the shirt loose from my belt, exposing the ropy layer of scar tissue on my stomach.

"Cause he knows what it's like in a firefight. Can you say the same, Detective?"

Jimmy Don studied the scar a moment and said, "Gunshot?"

"You can see it is," Carla said. "Now, do you believe him?"

I didn't let him answer. "The bullet caught Snakebite just below the heart, in his left side. Someone standing off-stage shot him. It wasn’t this woman. At least she didn’t shoot him from here."

"Then what's she doing with the pistol?"

"You might find out by having your men look down there."

"Who has access to that part of the building?" Jimmy Don asked, looking at Mama Tujugue.

"Band members and their families," she said. "A corridor leads to the stage from the dressing rooms. There are several tables at the stage for family members to watch the performances without dealing with the crowd."

Jimmy Don tapped the sergeant's shoulder and nodded toward the exit near the right of the stage. "Tony, take some men and check those dressing rooms."

Sergeant Tony bounded down the stairs and disappeared with a group of police officers along the darkened corridor leading to the dressing rooms. They soon returned with a woman, a much younger version of Geneva Thompson. Streaked mascara and a puffy face revealed her present emotional state. Before she could speak, Geneva Thompson blurted another confession.

"Baby," she said. "I'm sorry I shot your daddy."

"You know each other?" Jimmy Don asked, directing his question to Geneva.

"Enid’s my daughter, and Snakebite's."

I didn't miss the knowing glance between Geneva and her daughter nor the implied instructions of silence it carried with it.

"We found her hiding in the closet in one of the dressing rooms," Sergeant Tony said.

"What were you doing in the closet?" Jimmy Don said.

"My name's not Thompson, it's Barnett," she said, earning another admonishing glare from her mother.

No one, including Jimmy Don O'Rear, missed the glance this time. "Is this your mother?" he said.

Chastised into silence, Enid Barnett only nodded.

"Then Mr. Thompson is your stepfather?"

Enid nodded again. Telltale tears began streaming from her eyes. Outside on the river, a passing tugboat blew its mournful whistle.

"Leave her alone," Geneva Thompson said. "She's grieving because I shot her father. I've confessed to the shooting, and now I insist you take me downtown or whatever you do with criminals."

Jimmy Don shrugged, glanced at Sergeant Tony, and pointed toward the stairs. "You got a point, lady. Who am I to argue?"

Sergeant Tony nudged Geneva Thompson toward the stairway, and Jimmy Don started after them though stopped abruptly when I said, "Wait a minute."

"I don't have time for this, lawyer-man. We've had four hundred murders since New Year's, and I've worked my share of them."

"Then you know as well as I do Geneva couldn't have made the shot from here."

"Maybe she shot him from over there and ran up here to escape. Maybe her daughter saw her do it and hid so she wouldn't have to finger her mother. Whatever, I have a confession and a smoking gun. Unless you can convince me in thirty seconds or less, I got the wrong shooter, then stand back and let me do my job."

Jimmy Don's soliloquy started six feet from where I stood and ended with the hulking detective standing six inches from my face, his own red from anger. When he finished, I waited until he took a deep breath and stepped back a pace.

"I'm savvy. I know you are doing everything in your power. No one is blaming you or the Department for the murder rate. I see no sense in you booking an innocent woman."

"I didn't twist her arm for no confession."

"Maybe she's pulling the old wounded bird trick on you."

Jimmy Don gave me a crooked look but said, "What the hell are you jabbering about?"

"I’m talking about how a mother bird feigns a broken wing to draw a predator away from the nest."

Jimmy Don's eyes closed. He took another deep breath, and I held up a finger to prevent him from cutting me off.

"What if Enid shot her stepfather? Geneva saw her do it, followed her to the dressing room, took the pistol, and had her hide in the closet. Then she went as far away as she could get. Right here on the balcony. She held up the pistol so everyone would think she did it."

Jimmy Don's big arms folded tightly against his chest, though he was considering my story.

"What's the motive?"

"I’d say either anger or jealousy. Help us, Mama T. You know Snakebite. Why would his stepdaughter want to shoot him?"

"Snakebite's the kindest gentleman I ever met. Wouldn't hurt a fly, but . . ."

"But what?"

Mama Tujugue looked first at Geneva and then down at the hardwood floor. Another tugboat whistle pealed across the river before she finally spoke.

"Snakebite's a womanizer. He chases anything in skirts. Always has. It's a game with him."

"Even his stepdaughter?" I asked.

By now, both Enid and her mother were crying. "I'm sorry," Enid said, clutching the older woman's neck. "You always forgave his running around. I couldn't let him do it to both of us."

Sergeant Tony released the cuffs from Geneva Thompson, quickly transferring them to Enid's wrists.

"Mama," I said. "Call your lawyer and go down to the station with Enid. Carla and I will give Mrs. Thompson a ride to Charity."

***

Later that night, we drove across the Greater New Orleans Bridge to Charity Hospital; Geneva Thompson huddled alone on the backbench of Carla's Mustang. Carla's attempt at small talk sounded more like exhausted babble. It didn't matter because Geneva had too much on her mind to respond. My brain had also numbed to near total shutdown.

Even at this hour, barges and steamers plied the busy river, and jazz and neon beckoned tourists on Bourbon Street. The crime we had witnessed was of no great consequence—no more than a family squabble compared with the rapid spread of violence and burgeoning murder rate in the city.

Great Babylon, President Andy Jackson's wife, had called the Big Easy. Maybe so, but there’s no place like it on earth, and it's still home to the greatest free ride in America. 

####





Born near Black Bayou in the little Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and ghosts that haunt the night. He now lives in Oklahoma, where he continues to pen mysteries and short stories with a southern accent. He authored the French Quarter Mystery Series set in New Orleans, the Paranormal Cowboy Series, and the Oyster Bay Mystery Series. Please check it out on his Amazon author page. You might also like checking out his Facebook page.

Thursday, October 24, 2019

Cycles of the Moon - chapters

Absinthe is a liquor once banned worldwide because it was thought to be poisonous and hallucinogenic. Emile Zola, Oscar Wilde, and Earnest Hemingway were fans of the drink and claimed the green fairy that appeared when they drank it was the muse for their writing and paintings. Absinthe was a New Orleans favorite before becoming banned in the United States. The liquor is no longer forbidden. When French Quarter detective Wyatt Thomas is caught up in a web of intrigue, he visits an absinthe bar for answers. What he discovers almost costs him his life.

Cycles
of the
Moon

Chapter 1

Aura Hartel couldn’t believe her luck. Though she’d participated in digs in South America, Southeast Asia, and even the Sahara Desert, none had been as physically uncomfortable as the one where she now found herself. August is hot in most of the United States. In New Orleans, it’s both warm and almost unbearably humid. Though she’d been in New Orleans for only a few days, she already hated the weather and the first assignment with her new job.

Both an archeologist and anthropologist, Aura loved the study of ancient cultures. While over three hundred years old, New Orleans was young even by European standards. Seth Daniels, Aura’s boss and the head scientist on the dig, didn’t seem happier.

“What the hell, Seth! We should be working in Egypt. Does anyone give a damn what we find here?”

“If someone didn’t care, then we would be in Egypt,” Seth said.

Seth was forty-something, though his longish hair helped maintain his boyish looks. Bouncy brown waves failed to produce his desired look, and he usually wore a broad-brimmed hat to compensate for it. Seth had never married, the career that often took him from continent to continent, precluding any long-term relationship. He made up for it in other ways.

Seth was the head of the UNO archaeology department, and Aura found herself in New Orleans because of him. After meeting at a national convention, the two had enjoyed a wild albeit brief affair. Aura thought that was all there was to it until a job in the department had opened, and Seth called her to fill it. Though she still felt for the attractive older man, she quickly learned the sentiment wasn’t mutual.

Aura had tied her brown hair in a bun, an Army-green Boonie hat like the ones worn by jungle soldiers covering her head. The cap was soft. She used it in the heat of New Orleans to wipe the sweat dripping down her face.

Though not startlingly beautiful, the young woman had expressive green eyes and sparkling teeth. Aura had never been in a serious relationship and wasn’t over the short fling she’d had with Seth Daniels.

Aura and Seth only supervised four grad students doing the digging and heavy lifting. None of them looked particularly happy. Seth pointed to the nearby Creole townhouse that had partially collapsed because of the weight of time.

“Most of the property in the French Quarter is privately owned. When an owner allows you to dig, you take the opportunity,” he said.

“Seems a bit random to me,” Aura said.

“At least we have a wall around us and don’t have to contend with gawking tourists staring over our shoulders,” Seth said.

Aura glanced at the eight-foot-high masonry wall enclosing the courtyard where they were digging. Spanish moss-draped to the ground from the live oaks, and a large butterfly was flitting in a hedge draped with blooming honeysuckle. Bushes and flowering vines that had gone untrimmed for decades had all but overgrown the open space.

Aura’s tone was sarcastic when she said, “Thank God for small favors.”

“Get over it,” Seth said. “We won’t be here long. The water table is only five feet deep, and that’s as far as we can dig.”

“What was this place?” Aura asked.

“The New Orleans home of some rich sugar planter who probably had a plantation on River Road. Overseers and slaves did most of the work. Plantation owners spent much time socializing and leading the good life in New Orleans.”

The grad students had staked out two eight-foot by eight-foot excavation sites using shovels and sifters. Work came to a halt when a young grad student named Amanda squealed. Seth sprang off his portable chair and hurried to the hole.

“What is it?” he said. “A snake?”

Amanda was from Australia, petite, with honey-blond hair and a killer body. Everyone participating in the dig, including Aura, knew she was sleeping with Seth.

“Found something, Professor Daniels,” she said.

The other three grad students called the two supervisors by their first names. Seth loved the young woman’s Aussie accent and her loving attention and was oblivious to the talk behind their backs. Grabbing Amanda’s hand, he helped her out of the hole. Aura joined them.

“An old coin,” Amanda said. “It’s heavy.”

Seth took the coin, practically unrecognizable from its coating of encrusted dirt, to a work table erected beneath an open canopy. Aura and Amanda watched as he used a microscope to view the coin and a descaling tool to remove the grime.

“We got this,” Aura said. Catching Aura’s tone, Amanda gave her an angry look before returning to her excavation site. “What is it?”

“An 1811 gold Napoleon. Now we know what timeframe we’re dealing with,” Seth said.

“That’s eight years after the Louisiana Purchase,” Aura said. “What’s a French coin doing here?”

“Gold,” Seth said. “You can buy anything with gold no matter which country issued it.”

Seth dropped the coin when a grad student called out. “I’ve found something.”

Seth and Aura stood at the edge of the excavation. The hole was almost five feet deep, groundwater seeping over the grad student’s boots. Water, turning the loamy soil into mud, continued to rise.

“What is it, Beau?” Seth asked.

Beau and a red-headed Irish exchange student, Sean, had doffed their sweaty shirts. Beau was from France and was also an exchange student. His dark hair, eyes, and deep tan seemed the antitheses of Sean’s pale and blue eyes. Both he and Sean spoke with accents.

“Don’t know yet,” Beau said.

 Sean’s shovel struck something with a thud.

“What is it?” Seth asked.

“A skeleton,” Sean said.

The excavation site had become a mud hole, and another grad student named Joey jumped in to help. Joey was a local African-American. Like Sean and Beau, globs of mud coated his chest, pants, and boots. When they finally broke the suction, the three filthy grad students began pulling parts of a skeleton out of the hole, laying it beside the canopy.

Joey returned to where he worked as Beau, and Sean began assembling the skeleton. Mud coated the bones, an arm poking through the mire. Amanda was taking pictures.

“Wash the mud away, and let’s see what we have,” Seth said.

Joey called from the other hole before they could begin the task. “I’ve hit the water,” he said. “What now?”

“Found anything?” Seth asked.

“An old bottle and another skeleton,” Joey said.

The four grad students, though unpaid, were receiving extra college credit for their work in the dig. Seth would be bestowing grades, the reason the other students weren’t happy with Amanda. Seth turned to Aura.

“This little project just got bigger,” he said. “Hope our workers don’t mutiny on us.”

“No one was expecting to find human remains,” Aura said. “Should we contact the authorities?”

“This is private property; the new owner planning to put in a boutique hotel with a pool. The skeletons need to be moved and reinterred elsewhere. Meanwhile, we can classify the bones and determine who and what we are dealing with.”

“Why weren’t the remains buried in a cemetery?” Aura asked.

“Don’t know,” Seth said. “There were aboveground cemeteries in New Orleans in 1811. Maybe we’ll get a handle on it before we finish the dig.”

Seth’s answer failed to satisfy Amanda’s curiosity, and she commented in her Aussie accent.

“Perhaps it was a slave.”

“Everyone in New Orleans, even the slaves, was Catholic and received proper Catholic burials. There must have been a reason someone buried these skeletons below ground.”

“What reason?” Amanda asked.

“We may never know.”

Seth glanced at Aura when she said, “Maybe the deceased wasn’t from New Orleans.”

Joey interrupted their thoughts. “Seth, you better come see this,” he said.

The students had washed all the mud off the two skeletons. They were staring at the jumble of bones as Seth and Aura arrived to take a look.

“What you got?” Seth asked.

Joey gestured with the palm of his hand. “Two skeletons. This one’s an adult African-American male,” he said. “There’s no skull or hands.”

“That’s not all,” Beau said.

Seth gave the two men an assessing glance. “What?”

“The hands and skull aren’t just missing,” Joey said. “Looks like someone lopped them off.”

“Maybe with an ax,” Sean said.

Seth got on his hands and knees to get a better look.

“You’re right,” he said.

“What’s it mean, Professor Daniels?” Amanda asked.

“Don’t know,” he said. “What about the other one?”

“The skeleton of an older African-American male. Look at the skull.”

Seth gazed at the skull as he held it in his hand. “Jesus! Looks like this poor bastard took a bullet to the head at point-blank range.” He blinked and rubbed his forehead. “Ninety degrees in the shade, and this is a problem I didn’t need.”

Seepage of water into the holes had effectively ended the digging. Mud coated Sean and Beau as they helped each other out of the growing mudhole.

 “I’ve got one more for you,” Joey called from one of the holes.

“Another skeleton?”

“A body,” Joey said.

“What the hell!” Seth said.

Aura, Seth, and the grad students watched as Joey handed the nude body of a small woman to Beau. After helping Joey out of the hole, they brought the body to Seth. Beau laid the human remains on the ground and waited for directions.

Seth was frowning when Joey joined them. “You found it in the hole?” he asked. “It’s barely muddy.”

“Where else would it have come from?” Joey asked.

Their attention returned to the woman with long dark hair, light green skin, and an almost inner glow. The woman’s eyes were closed, her arms folded across her chest. She was perhaps in her mid-twenties, quite beautiful, and completely naked. Despite being beneath five feet of dirt for over two hundred years, the body showed no decomposition signs.

“Good God!” Sean said.

Seth touched the woman’s neck. “The body is warm, though I don’t feel a pulse.”

“Impossible,” Joey said.

One of the woman’s hands was clenching something. Seth began working her fingers, trying to loosen the grip.

“What is it?” Aura asked.

“Her hand is frozen, and I can’t get it open. It’ll have to wait for now.”

“How can she still be so perfectly preserved?” Amanda asked.

“Voodoo,” Joey said.

“Why do you say that?” Seth asked.

“I’m a homeboy, born and raised here in New Orleans,” Joey said. “I know.”

“We need to get her to a hospital,” Aura said.

Seth gave Aura a glance. “She’s been buried for more than two hundred years. She can’t be alive.”

“How can you be so sure?” Aura said. “We need to get her someplace where they can check her out.”

“No,” Seth said. “Whatever’s going on here is important. It’s our discovery. I’m not turning her over to the whims of the City of New Orleans.”

“Then what do you intend to do?” Aura asked.

“We have a refrigerated room for storing bodies at the university. Call and have them bring a van. The skeleton also needs to go.”

Though Aura wasn’t smiling, she began punching in a number on her cell phone. Late afternoon shadows covered the courtyard when the van arrived from UNO to pick up the skeletons and the bodies.

The grad students had erected a makeshift shower attached to a branch of a towering live oak. Sean, Beau, and Joey had stripped down their boxer shorts and washed away the mud beneath the slow spray.

Not to be outdone, Amanda stripped to her red thong panties and joined them. Aura turned away when she noticed the look of jealousy on Seth’s face as he watched the grad students showering together. Joey was drying his hair when he approached Seth and Aura.

“I’m taking Beau and Sean club hopping. We’d love to have you join us.”

“Thanks,” Seth said. “Other plans.”

“Aura?”

“Not tonight,” she said. “I have notes I need to edit.”

“Suit yourself,” Joey said.

The three male grad assistants waved as they exited the gated compound. Seth’s broad smile spoke volumes about how he felt when Amanda appeared in a leather miniskirt and low-cut blouse, dramatically emphasizing her ample cleavage.

“Amanda and I are having dinner at Antoine’s,” Seth said. “There’s a quaint old bar on Chartres Street called Bertram’s. After dinner, we’re heading there for drinks. Will you meet us?”

“Are you sure?” Aura said.

Seth gave her a wink and a peck on the cheek.

“Of course, I’m sure.”

Seth didn’t wait for an answer. Aura agonized over the invitation as she spent time working on her notes. The sun was low, shadows creeping over the courtyard when she stripped off her clothes and stood beneath the makeshift shower, washing away the day’s grime.

The once beautifully manicured French Quarter courtyard had become overgrown with native weeds and vegetation. The lily pond, which had played host to golden koi, was cracked and devoid of water. None of the fountains worked, and the branches of the live oaks extended to the brick masonry. Aura jumped when something peeked around the corner of the abandoned Creole townhouse.

The creature had the snout of a dog, although its teeth were longer and crooked. Brown was the color of its hairless body with the look of old leather. A fin extended down its back to its bony tail. It was standing on its hind legs. When Aura screamed, the beast ran behind the house. She didn’t know what to think as she hurriedly pulled on a fresh set of khaki shorts.

“What in holy hell was that?” she said. 

Chapter 2

 Sometime during the night, a gust of wind blew open the door to my French Quarter balcony overlooking Chartres Street. I was lying in bed, awake, or else dreaming I was awake. It seemed like the latter because I wasn’t surprised when a wispy cloud floated through the door.

Aglow with ephemeral radiance, the cloud wafted to the foot of my bed, the translucent image coming into focus of a person I knew. A voodoo woman so old, she transcended time. I somehow found my voice.

“Is that you, Madam Aja?”

“Who else would it be?”

The image continued to flash in and out of clarity.

“Are you real?” I asked. “You look like a ghost.”

“Because I am a ghost,” Madam Aja said.

“Then, this is just a dream, right?”

“Sometimes, life is nothing more than a dream,” she said. “Or a nightmare. This is one of those times.”

“What are you doing here?”

“I have left this world. Before I move on, I need your help.”

“To do what?”

The ghostly figure of the ancient woman Madam Aja extended her hand toward me.

“You’re a Traveler, a special and privileged person. With privilege comes duty, and sometimes that duty is deadly serious.”

Still groggy from having just awoken, I rubbed my eyes to assure myself Madam Aja was at the foot of my bed.

“You’re confusing me,” I said.

“There has been a discovery in the Quarter that has exposed the city’s dark past. If I were still alive, I could help. I am not, and I have no place to turn except to you.”

“I’m happy to help,” I said. “Tell me what you want me to do.”

Madam Aja had something in her hand, a glow emanating from her closed palm as she extended it toward me. “Take this,” she said.

Madam Aja’s touch was cold when she dropped a gold pendant into my palm. Several milky crystals dangling from the chain reflected a prism of color emanating from the flashing neon outside my open patio door.

“What is it?” I asked.

“A moonstone pendant that was once magical.”

“Once?” I said.

“One of the moonstones is missing. It caused the pendant to lose its power.”

“What happened to it?” I asked.

“Someone who wanted to prevent the pendant’s magic took it,” Madam Aja said.

“Can you tell me who that person is?”

“They are no longer alive. The moonstone was removed centuries ago.”

“And you want me to return and find it?”

“Yes, restore it with the pendant and return it to its rightful owner.”

“Is there more you can tell me?” I said.

“I wish I could help you more than I am, but I’ve told you all I can. You’ll have to figure it out for yourself.”

The glimmering image of Madam Aja flickered and died as I passed my hand through an icy mist. My fingers were still cold when the cell phone on the nightstand beside the bed rang and woke me.

A cool breeze was blowing through the white linen curtains of my balcony door. It was daylight, a mule snorting as the carriage was pulling past on the street below. Mama Mulate spoke when I answered the phone.

“Wyatt,” she said. “Madam Aja died last night.”

***

With all its heat and humidity, August had arrived in the Big Easy. Three in the afternoon, the temperature was almost intolerable. I felt every bit of it as Mama Mulate and I waited on a Basin Street curb for a jazz funeral to begin.

Mama Mulate, my sometimes business partner, was a tall, attractive African-American woman. She had a Ph.D. from the University of South Carolina and taught English literature at Tulane University. She was also a practicing voodoo mambo.

I’m a private investigator. Years before, when a client had hired me to help him lift a voodoo spell he thought his wife had placed on him, I’d formed a partnership with Mama that had proven lucrative. We’d created a loose association to assist people with questions concerning the paranormal, a subject not uncommon in the Big Easy. Since then, I’d developed a close friendship with the intelligent and eccentric woman.

One of the people I’d met through my friendship with Mama Mulate was an ageless voodoo woman named Madam Aja. We were attending Madam Aja’s funeral on the side of the street with hundreds of well-wishers waiting to celebrate the woman’s long and illustrious life.

Mama wore a bright yellow African tribal dress with a flowing necklace of pink coral. A traditional Creole tignon covered her long, Afro-style tresses out of respect for her departed friend and mentor. Like almost everyone else at the funeral, I was dressed casually in khakis, a bright Hawaiian shirt, and sandals with no socks. We were there to celebrate Madam Aja’s life and not to mourn her death.

Because of our close friendship with Madam Aja, Mama and I were part of the procession’s first line of family and friends. A small band of old black men dressed in matching caps, white shirts, and dark pants waited to lead the procession to the cemetery. Soon, the little drummer removed his hat, raking a bony hand through his snowy hair before tapping his drumsticks on the edge of his snare drum six times. Another band member began playing a slow dirge on his trumpet. Trombone and tuba joined in.

I was one of the many honorary pallbearers charged with carrying Madam Aja’s wooden casket on the short distance to St. Louis Cemetery Number 1. In deference to Madam Aja’s funeral, vehicle traffic had ceased as we paraded down the middle of Basin Street.

Elaborate crypts were visible over the masonry fence surrounding the graveyard. Though I’d visited the oldest cemetery in New Orleans on many occasions, I’d never been quite so aware of the finality I now felt. The front gate was open, and we carried the coffin to a honeycomb vault where an empty rectangular space awaited Madam Aja.

Inclusion in the task was an honor, and there were at least a dozen pallbearers. Everyone wanted to help ease Madam Aja’s coffin into its spot some seven feet above the ground. Once the box was securely in place, gentle rain that seemed to evaporate before getting you wet began to fall.

The temperature dropped, and clouds covered the sky as a fiery preacher said a few final words about Madam Aja’s life and her family. Like the rain, the sermon didn’t last long. Smiles had suddenly replaced the tears and solemn expressions as the band struck up a Mardi Gras marching song and started toward the entrance.

Mama Mulate, accompanied by a woman I knew well, joined me. It was Senora, Madam Aja’s daughter. Senora was as tall as Mama. Though only forty-something, her hair had gone prematurely gray. No one knew Madam Aja’s age. From the looks of her when she was alive, she must have been well over a hundred. It seemed more likely that Senora was her granddaughter or maybe even her great-granddaughter. I’d never asked her.

Senora’s dress was red and equally as festive as Mama Mulate’s. She lived in a small house in Faubourg Marigny. While Madam Aja performed voodoo spells for the locals, Senora provided herbs, tribal medicines, and secret potions that Mama Mulate and other voodoo practitioners used to assist in employing their craft. Together with the hundreds of well-wishers, we marched out of the cemetery and proceeded up Basin Street.

As we started through the French Quarter, the noise and number of participants marching in the second line had grown. More musicians playing horns and keeping time with drums joined us. The street was crowded with locals and tourists as the procession continued up one road and down the other. Hours had passed when we paraded by Senora’s house in Faubourg Marigny.

Mama, Senora, and I broke away from the march. The Creole cottage had a front porch facing the street. Mama sat in the swing, and I sprawled on the porch, draping my legs over the edge.

“Come inside, and I’ll get us something to drink,” Senora said.

“This swing feels good,” Mama said. “I’m so tired I can hardly move.”

“Then wait on the porch,” Senora said. “I’ll get the drinks.”

Senora’s smile had disappeared when she returned with a glass of iced tea, a bottle of whiskey, and two empty glasses. I grabbed the tray as Mama arose from the swing to give Senora a comforting hug.

“It’s okay,” Mama said.

“This is going to be so hard,” Senora said. “I’ve never lived alone. I don’t know what I’m going to do.”

“Get a man or a pet,” Mama said. “Either one will work.”

Mama’s suggestion returned the smile to Senora’s face. “I’m going to miss the old woman.”

“I know you will,” Mama said.

I set my tea on the porch and poured whiskey into their glasses. A smile transformed Senora’s gloom as Mama held the pungent liquid to her lips and let her taste a sip.

“Old Crow, Madam Aja’s favorite alcoholic beverage,” Senora said.

Mama made a face. “Horrid!” she said. “Don’t know how she drank this swill, much less liked it.”

“I know,” Senora said. “There’s only a bit left in the bottle. It seemed like a good idea to toast Madam Aja with her favorite drink.”

“You got it, sister,” Mama said. “Wyatt? You can at least take a sip.”

I obliged with a taste from Mama’s glass. “Damn!” I said. “If Old Crow was all there was to drink in New Orleans, I’d have never become an alcoholic.”

Senora felt better, her smile turning to laughter as she joined Mama on the swing. We were soon recounting tales about the old lady as the sounds of the jazz funeral disappeared in the distance.

The bottle of Old Crow was finally empty; the sky was growing dark. Senora’s tears had returned, and Mama used her yellow tignon to wipe them away. Both Mama and Senora had a tolerance for alcohol, and neither of them showed the most minor signs of inebriation.

“Do you mind sharing with us how Madam Aja passed?” Mama asked.

Senora pointed to a rocking chair, Madam Aja’s favorite orange shawl draped over it.

“Madam Aja was an early riser. Sometimes, she never went to bed. The sun was coming up, and she was sitting in her chair when I came out to the porch.”

 “She loved that rocker,” Mama said.

Senora folded her arms. “Yes, she did. She didn’t answer when I asked if she wanted coffee.”

Mama hugged Senora when she started crying again. “It’s all right, baby.”

“When I realized she wasn’t breathing,” Senora said, “I ran next door to get help. The neighbors called 9-1-1. Paramedics arrived, but they couldn’t revive her.”

There was a sip of whiskey left, and Senora drank it straight from the bottle. Mama took it from her and set it on the porch.

“I need something else to drink besides Madam Aja’s Old Crow,” Mama said. “Let’s go to Bertram’s and have him make us some of his famous martinis.”

“I’d better stay here,” Senora said. “It’s been exhausting since Madam Aja passed. I’ve been so depressed that I slept the entire day away yesterday. A sip of whiskey was rising.”

“You need to be with warm-blooded humans, not ghosts,” Mama said. “You are coming with us. I’m not taking no for an answer.”

“I’m sorry,” Senora said. “I can’t get my head around Madam Aja’s passing. I never thought she’d die and leave me alone.”

 “You know she isn’t gone,” Mama said. “Madam Aja’s a Traveler.

“While it’s true she’s still out there someplace, it doesn’t matter because I’m going to be so lonely in that house all by myself,” Senora said.

“Then get out of the house and socialize. Maybe meet that man I mentioned,” Mama said.

“Oh, Mama, I just don’t know,” Senora said.

“Nonsense,” Mama said. “There’s a club in Bywater where I go every Wednesday night. They have wonderful local talent, and occasionally, big performers stop in to jam with the regulars. You’ll love it.”

“Maybe,” Senora said. “I’ll have to see how I feel about it.”

“Good,” Mama said. “Let’s go to Bertram’s. You can stay the night at my house, and I’ll bring you home tomorrow.”

Senora shook her head as she hugged Mama.

“I’m going to be alone from now on. I’ll get used to it, and I’m starting tonight,” Senora said.

“Then I’ll call you tomorrow,” Mama said.

“I look forward to it,” Senora said.

We left Senora sitting on her front porch swing.

“What now?” I asked.

“With or without Senora,” Mama said. “I need one of Bertram’s martinis.”

Mama’s vintage Bugeye Sprite was parked down the street. I held the door handle as she raced toward Jackson Square.

  

Chapter 3

Not far from Jackson Square is Bertram Picou’s Bar. The rain had lowered the temperature but left lung-popping humidity in its wake. As a result, foot traffic on the sidewalk was almost nonexistent. We found Bertram’s almost empty as the weather had caused a similar effect.

Probably the most eclectic watering hole in the French Quarter, Bertram’s was also one of the oldest. The building measured its age in centuries and not decades. Crisp air and Bertram’s booming Cajun-inflected voice greeted us when we entered the double doors.

“Look what the cat done drug in,” he said. Bertram crawled through the opening in the bar and gave Mama a big hug. “Where the hell have you been?”

“Rafael got me a gig working a voodoo cruise on a riverboat sailing from here to St. Louis. I’ve never had so much fun in my whole life,” she said. “I can’t wait to do it again.”

“So sorry to hear about Madam Aja,” he said. “I had lots of customers after the parade honoring her. This damn Nawlins’ heat wave sent them all home early.”

“Some things never change. August in the French Quarter is one of those things,” Mama said.

 “Me and Miss Lady are shutting down this place next August and going somewhere cooler,” Bertram said.

Mama laughed. “You’ve never been farther north than Mississippi, and it’s just as hot there in August.”

“I might fool you. Me and Lady could spend the summer fishing in Alaska and surprise you.”

“That would surprise me,” Mama said.

“If you go, take me with you,” I said.

 Bertram flashed his Cajun grin. “Grab some stools at the bar. I’ll fix us some drinks.”

Lady was Bertram’s beautiful collie. She remained behind the bar, her tail drumming the hardwood floor when she heard her name.

Except for the lissome brunette with a sullen expression sitting beside me, the bar was empty. Her little-bit-of-nothing black dress and stylish heels drew my attention to her long legs. Though I knew I wasn’t the person she intended to impress, I was wishing I was. She was sipping a soft drink through a straw, her tanned shoulders and big green eyes the only things keeping me from staring at her legs. For a moment, I had a problem suppressing a wolf whistle.

When I smiled and nodded, the young woman gave me a dirty look and moved over a stool. Only some people in New Orleans wish to be as friendly as the locals. I returned my attention to other things when Bertram arrived with our drinks.

Mama was enjoying her martini and talking to Senora on her cell phone. I made do with lemonade as Bertram gave the brunette an assessing glance.

“Can I mix you something stronger than that soda pop you’re drinking?” he asked.

“No, thanks,” she said.

“You ain’t from around here, are you?” Bertram asked.

“What difference does it make?”

“If you’re sightseeing, you can party tonight and sleep in tomorrow,” he said.

“I’m not sightseeing.”

“Then what are you here for?” Bertram asked.

“You’re a nosy one,” she said.

“I’m a bartender. Being nosy is part of my job description.”

Bertram’s blunt reply and Cajun-inflected accent brought the hint of a smile to the young woman’s pretty face.

“I’m working in town,” she said.

“Okay, then,” Bertram said. “If you just moved here, your next drink is on the house,”

“I arrived in town last night,” she said. “I can’t afford to lose my job on the first day at work.”

“You won’t, Bertram said. “Everyone in New Orleans drinks. Well, except for Cowboy here. Where are you working?”

“I’m an associate professor of archaeology at UNO.”

“If you’re gonna live in Nawlins, you gotta loosen up. You’ll get the hang of it. I’ll whip you up one of my lime mojitos, and it’s still on the house.”

“I’ll try it,” she said.

Bertram had no other customers and was working hard to keep the ones he had. He hurried away to mix the mojito before the young woman could refuse his hospitality or request her tab.

“Don’t drink that thing too fast,” he said when he returned with the colorful drink. “The rum will go straight to your head.”

“And I have to be at work at five tomorrow morning.”

 “I’m Bertram. What’s your name, pretty lady?”

“Your comment is sexist,” she said.

“I’m Cajun,” he said. “My mama didn’t raise no priest.”

“Aura,” she said.

“This is the Big Easy,” Bertram said. “It’s okay to party all night, put in a full day’s work the next day, and then do it all again tomorrow night. Where are you working that you have to be there at five?”

Though Bertram was nosy, he had a way about him that kept people from becoming offended by it. Still, the woman hesitated before answering. When she did, she drew Mama’s attention, pivoting on her stool to listen.

“I’m helping supervise a dig in the courtyard of an old Creole townhouse here in the quarter.”

“The Old François Place?” Mama asked.

“You know about it?” Aura asked.

“I know it’s haunted,” Mama said.

“I don’t believe in ghosts,” Aura said. She pushed the mojito toward Bertram. “Though your drink is lovely, I’d better pay my tab.”

“May as well drink it,” he said. “You ain’t digging tomorrow.”

“How do you know that?” Aura asked.

“Raining outside. It's going to rain all night and all day tomorrow. Your dig’ll be one muddy mess,” Bertram said.

Before Aura could react to Bertram’s announcement, her cell phone rang. It was Seth.

“Plan to sleep in tomorrow,” he said. “I just watched the weather report. It’s going to rain all day. I’ll meet you at the department around one.”

“Damn!” she said as she sat the cell phone on the bar. “I was hoping to finish the dig this weekend so I could concentrate on finding a place to live.” The tropical storm had intensified. The wind whistled down the street and blew open the door. “How often does it rain like this?”

“Sometimes every day,” Bertram said, pushing the mojito toward her. “At least take a sip. I guarantee it’ll relieve what ails you.”

Mama and I were still listening as Aura sipped the mojito.

“This is good,” she said.

Bertram held up a palm. “Like I said, not too fast. I put an extra pour of 151-proof rum in it. It’ll knock you on your ass if you ain’t careful.”

Ignoring his warning, Aura downed the drink. “Bring me another.”

“You sure?” Bertram asked.

“I can hold my liquor,” she said.

“You the boss, pretty Miss Aura,” Bertram said as he began mixing another mojito.

Uninterested in our company, Aura turned away from Mama and me as she began working on her second mojito. Mama turned her knees toward mine as if remembering I was also at the bar.

“Sorry about the long phone call,” she said. “I’m worried about Senora.”

“She’ll be fine,” I said. “She’s a strong woman.”

“You’ve been amazingly quiet,” Mama said. “Is there something you want to tell me?”

“Your perception never ceases to amaze me,” I said.

“I’m listening,” Mama said.

I leaned against the back of the stool and sipped my lemonade.

“Madam Aja visited me the night she died.”

Bertram stopped what he was doing and leaned on the bar.

“What the hell do you mean by that?” he asked.

“Maybe you better bring us another round,” I said.

“Your tab?” he asked.

“Isn’t it always?” I said.

Mama was tapping her long fingernails on the bar, glaring at me as Bertram mixed a fresh martini.

“This better be good,” she said.

“Don’t know how good it is, but you asked. Madam Aja appeared to me in a dream the night she died,” I said. “At least I thought it was a dream until I woke up the next morning with this in my hand.”

Mama and Aura watched as I placed the pendant on the bar. Bertram was also gaping.

“What is it?” he asked.

“A gold necklace with a moonstone pendant attached,” I said. “One of the moonstones is missing.”

Aura grew suddenly animated. “Where did you get that?”

“It was in my hand when I awoke. Why do you ask?”

Aura was facing me, her arms clasped around her chest and her legs tightly crossed. Her face was pale, her neck glowing with a crimson blush. She didn’t answer my question. Mama took the necklace.

“I’m calling the police,” Aura said. “You stole the necklace from the Old François Place.”

“Now, wait just a minute,” Bertram said. “Cowboy’s lots of things. Thief ain’t one of them.”

“I saw a picture of that same necklace at the dig,” Aura said.

Bertram glanced up at one of the slowly rotating fans.

“A picture?” he said.

“An old portrait in the upstairs hallway.”

“Moonstone necklaces have always been popular,” Mama said. “Perhaps the necklace you saw simply looks like the one in the portrait.”

“It’s the same necklace,” Aura said.

“Wyatt’s been with me since early this morning,” Mama said. “Are you saying your crew dug up that necklace, and someone stole it?”

Feeling the warm effect of Bertram’s mojito, the young woman’s face was flushed.

“That’s not what I said.”

“Then what did you say?”

“I saw that necklace in a portrait at the Old François Place. It belonged to the woman in the portrait. I have a trained eye for art. That pendant is one-of-a-kind and likely very valuable. Where did you find it if not at the Old François Place?”

“The necklace Wyatt has isn’t the same as the one you think you saw,” Mama said. “Madam Aja gave it to him the night she died. Bertram’s alcohol is affecting your perception.”

Aura uncrossed her arms long enough to sip the mojito. “Maybe.”

I glanced at her. “What did you find at the Old François Place?”

“A naked woman buried in the courtyard.”

“I don’t think you better be calling the police,” Bertram said. “If you tell them what you told us, they’ll probably lock you up in the insane asylum.”

Mama grinned. “There are no insane asylums any longer.”

“Well, you know what I mean,” he said.

Aura also seemed to understand. “Please, bring me another mojito,” she said.

“You already had two,” Bertram said. “I done told you they were strong.”

“I’m not driving, and my hotel is only a few blocks from here,” Aura said.

Bertram was already pouring her next mojito. “You got it, pretty Miss Aura.”

“How do you explain finding a perfectly preserved body that had been buried for two hundred years?” I asked.

“Joey, the grad assistant who found the body, blamed it on voodoo.”

“I doubt it,” Mama said.

She smiled when Aura asked, “How in hell would you know?”

“She’s a voodoo mambo,” Bertram said. “She knows.”

“Then what’s the answer?”

“If you dug her body out of the mud after two hundred years and it wasn’t decomposed, I’d say she’s supernatural,” Mama said.

“No one is supernatural.” Aura looked at Mama and asked, “What are you laughing at?”

“Your disbelief,” Mama said.

“I don’t believe in myths,” Aura said.

“Do you believe your own eyes?” Mama asked.

Aura gave Mama a pointed glance. “What do you mean?”

“How do you explain digging a warm body buried two hundred years out of the mud?”

“I’m sure there’s a scientific explanation,” Aura said.

Mama snickered. “You need to wake the hell up. There is no scientific explanation for what you just told us.”

“I believe in science and not the supernatural,” Aura said.

“Doesn’t matter what you believe,” Mama said. “The world is what it is.”

“Bullshit!” Aura said. “There’s a scientific explanation for everything.”

Mama shook her head. “No, there isn’t. People see what they want and believe what they want to see. Everything else they disregard.”

Aura raised a finger, motioning Bertram to hurry with her drink. The rum had begun affecting her brain, and she rocked unsteadily on her stool.

“Maybe you’re right,” she said. “Before leaving the dig tonight, I saw something that scared the holy hell out of me.”

“Like what?” I asked.

“A creature. It looked a little like a big dog, but its skin was leathery and furless. Its teeth were long, jagged, and crooked. An appendage that looked like a fin extended down its spine. There was something else about seeing the creature.”

“Like what?” I asked.

“I had the strange sensation that not only had the creature recognized me, but I couldn’t stop thinking I’d seen it somewhere before. Maybe in a dream.”

Two men walking in the door had caught Aura’s description of the beast.

“What you saw was a Chupacabra,” the first man said. “Perhaps tomorrow, you can take us to the place where you saw it.”


###



Born near Black Bayou in the little Louisiana town of Vivian, Eric Wilder grew up listening to his grandmother’s tales of politics, corruption, and ghosts that haunt the night. He now lives in Oklahoma, where he continues to pen mysteries and short stories with a southern accent. He authored the French Quarter Mystery Series set in New Orleans, the Paranormal Cowboy Series, and the Oyster Bay Mystery Series. Please check it out on his Amazon author page. You might also like checking out his Facebook page.






Press Release - Oyster Bay Mambo

 FOR IMMEDIATE RELEASE Oyster Bay Mambo: A Gripping New Chapter in Eric Wilder’s Oyster Bay Mystery Series Edmond, OK – May 31, 2025 – G...