My book Big Easy appeared in print in 2007 and I recently finished adapting it into a screenplay. The screenplay, like the book, occurs mostly in the French Quarter of post-Katrina New Orleans and deals with murder, lust and the practice of voodoo.
Perhaps the notion of the crossroads is the most powerful concept in the observance of voodoo. Vodoun practitioners believe there are two worlds - the one we inhabitant and the spirit world. These worlds meet at the crossroads, and literally, every voodoo act is an attempt to reach this destination.
To reach the crossroads in Vodoun is the ability to communicate with, and to convince the various spirits and deities to intercede for the living with respect to healing, casting spells, or any other outcome desired by a practicing mambo or houngan.
The practice of voodoo is a dominant element in my murder mystery Big Easy. The murderer practices voodoo, his every action motivated by it. Mama Mulate, a voodoo mambo, uses her considerable powers to fight the murderer’s evil at every juncture.
Both characters are seeking the crossroads, and both, in their own ways, find it, as does Wyatt Thomas, the book’s primary character, and Lieutenant Nicosia, a pivotal personality in the plot that takes a definite twist near its conclusion.
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